All posts by artcube

1940s Fashion Photography

Fubiz

Born in 1915, photographer Genevieve Naylor started in New York City where she moved at the age of 18. After the war, the photographer works for magazines such as Vogue and Harper’s Bazaar, and builds her own visual identity that make her an artist with a very special aesthetics. Mashable paid tribute to her stunning portraits made in the 40s, showing women whose style and elegance remain timeless.

‘1940s Fashion Photography’
Fubiz | April 27, 2016

Artist and Beyoncé Collaborator Laolu Senbanjo Is an Overnight Media Sensation

Artnet

Laolu Senbanjo’s artwork in Beyoncé’s visual album,”Lemonade,” has conjured up a media storm that’s been rumbling along since it dropped on HBO last Saturday evening. In the past few days alone, Vogue called the Brooklyn-based artist their “new Instagram obsession,” and ABC News held a nationally syndicated interview.

‘Artist and Beyoncé Collaborator Laolu Senbanjo Is an Overnight Media Sensation’
Artnet | April 27, 2016 | Rain Embuscado

Why these artists are having sex with the earth

Mashable

One Australian performance group is asking a provocative question: What better way to connect to the earth than through sex?

Pony Express, a collective of four artists, will perform at the Royal Botanic Gardens Victoria in Melbourne, between May 6-16, at the Next Wave Festival. The show, entitled Ecosexual Bathhouse, is meant to be a “complete sensory environment” according to the group’s fundraising page.

‘Why these artists are having sex with the earth’
Mashable | April 27, 2016 | Chelsea Frisbie

Can London’s Next Mayor Save the City for Artists?

Artsy

Next week, Londoners will go to the polls to vote for the city’s next mayor. Can either candidate make the ever-more-expensive city affordable for artists?

The building, in East London, is inauspicious, a 1960s industrial edifice with an anonymous entrance, bands of glazing, and drab brickwork. But for almost two decades, over 100 artists—painters, sculptors, ceramists—called it home. In March, Cremer Street Studios closed its doors for the last time to make way for a new residential development. Now, those artists’ futures are uncertain. Along with thousands of other artists, they are the latest examples of London’s property boom squeezing those reliant on affordable space out of the capital.

‘Can London’s Next Mayor Save the City for Artists?’
Artsy | April 26, 2016 | Rob Sharp

Art Collector on Following Instincts, Not Advisors

Artnet

Standing in the impressive space of Berlin’s Judin gallery, the German collector Heiner Wemhöner was pondering the etymology of the term pop-up. “I’ve never heard it before,” he told artnet News. But that didn’t stop him from adopting the format. Last week, Wemhöner celebrated the publication of a new book cataloging the paintings in his over 700-strong collection with an exhibition—installed for one night only; a pop-up show if you may—of paintings from the collection.

‘German Collector Heiner Wemhöner on Following Instincts, Not Advisors’
artnet | April 26, 2016 | Hili Perlson

Mash any 2 images together to create beautiful results

Business Insider

People love mashing things together.

And while Photoshop and other programs allow users to do that, not everyone knows how to use them. That’s where Ostagram, a Russian website, comes in. The site allows users to simply upload photos and filters, and mix any two together to create a new image.

‘A Russian website lets users mash any 2 images together to create beautiful — and bizarre — results’
Business Insider | April 26, 2016 | Anjelica Oswald

Prince’s Home Will Become a Museum for Fans

Artnet

With millions of fans still reeling from the shocking news last Thursday that the legendary musician Prince had died, his brother-in-law, Maurice Phillips, has vowed to transform Prince’s $6.6-million home in Minnesota into a museum.

‘Prince’s $6.6-Million Minnesota Home Will Become a Museum for Fans’
Artnet | April 26, 2017 | Lorena Muñoz-Alonso

Homeless Jesus Rejected by Westminster Council

Artnet

Homelessness may be a problem in London, but the issue is not one that UK officials are ready to confront outside their doorstep. A proposed installation of Homeless Jesus, a cast bronze statue that depicts a destitute figure huddled under a blanket on a park bench, has been scuttled by the Westminster council, reports the Guardian.

‘Divisive ‘Homeless Jesus’ Statue Rejected by Westminster Council’
artnet | April 26, 2016 | Sarah Cascone

AMAZING SURREAL DIGITAL MANIPULATIONS

DIY Photography

The world can be a pretty strange and surreal place as it is, but for those times when it’s not quite weird enough, we can always rely on photographers and image manipulators like Ted Chin to show us things we couldn’t possibly imagine.

‘THIS PHOTOGRAPHER TURNS HIS IMAGINATION INTO AMAZING SURREAL DIGITAL MANIPULATIONS’
DIY Photography | April 26, 2016 | John Aldred

An Interactive Installation Lets You Manipulate Time and Space

The Creators Project

The last we heard from multimedia choreographers Adrien M and Claire B, they’d just released a video spot for The Movement of Air, in which dancers manipulated a variety of projection-mapped tornadoes, smoke columns, and floating papers. In their latest video, which shows off their ever-expanding exhibition XYZT, the two artists show abstract landscapes across four dimensions—the horizontal (X), vertical (Y), depth (Z) and time (T).

‘An Interactive Installation Lets You Manipulate Time and Space’
The Creators Project | April 26, 2016 | DJ Pangburn

Artists Might Share Common Traits With Psychopaths

Huffington Post

Great and not at all scary news, art world: A recent study published in the Personality and Individual Differences journal concluded that you may want to be wary of the artists, actors, and musicians in your life, seeing as they often share certain neuropsychological features with individuals exhibiting “psychopathic traits.”

‘Great News: Artists Might Share Common Traits With Psychopaths’
Huffington Post | April 26, 2016 | Priscilla Frank

Underwater Sculptures Protect Aquatic Ecosystems

My Modern Met

Art and environmental activism often go hand in hand. Such is the case with Jason deCaires Taylor’s incredible aquatic sculptures that seek to celebrate and protect the amazing underwater landscapes of our Earth. His pieces explore the symbiosis between art, nature, and man, with breathtaking installations that evolve and grow through the effects of one on another. With Earth Day having just passed us by, we wanted to commemorate this artist’s exciting union of art with the natural world.

‘Underwater Sculptures Celebrate Life on Earth and Protect Aquatic Ecosystems’
My Modern Met | April 26, 2016 | Kristine Mitchell

Sale of Banksy art in L.A. brings new cred to ‘street’ artists

Market Watch

A collection of works by elusive street artist Banksy goes on the block in Los Angeles this weekend, and pre-auction bids put a six-figure starting point on select pieces.
Julien’s Auctions, a Beverly Hills–based auction house, is holding its biannual Street & Contemporary Art Show, and the formally unidentified U.K.-based graffiti artist — or artists? — known for social commentary is among the headliners.

‘Sale of Banksy art in L.A. brings new cred to ‘street’ artists’
Marketwatch | April 26, 2016 | Rachel Koning Beals

How Andy Warhol created the first social media platform

Artnet

Photographer and artist Christopher Makos‘s world collided with Andy Warhol‘s at a dinner party in 1976. Andy was intrigued by Makos’s use of the 35mm camera, his ability to compose a shot, and his knack for being aware of the perfect picture about to happen. Makos, for his part, became close friends with Warhol gaining footing in Warhol’s inner circle and even accompanying the artist on his travels and social outings. Thus, their photographic work began to overlap and they often influenced each other up until Warhol’s untimely death in 1987.

‘Christopher Makos on How Andy Warhol Created the First Social Media Platform’
artnet | April 25, 2016 | artnet Auctions

ART BASEL 2016 – ONE OF THE MOST IMPORTANT ART FAIRS IN THE WORLD

Widewalls

The 47th edition of Art Basel, contemporary art world’s premier platform, will once again gather some of the most renowned galleries, curators, artist, dealers and collectors. As one of the most important art fair since 1970s held annually in BaselMiami Beach and Hong Kong, Art Basel showcases the world’s leading art shows for modern and contemporary works. Each edition in each city is unique and defined by host city and region, which reflecs on participating galleries, presented artworks and parallel programming which is always produced in collaboration with local institutions.

‘ART BASEL 2016 – THE 47TH EDITION OF ONE OF THE MOST IMPORTANT ART FAIRS IN THE WORLD’
Widewalls | April 25, 2016 | Elena Martinique

Study claims artist’s famed works were releasing poisonous gas

Fox News

It turns out artist Damien Hirst’s famous displays of dead animals preserved in formaldehyde may have been dangerous to more than just artistic sensibilities. A study published this month in Analytical Methods found Hirst’s pieces were leaking formaldehyde gas at levels 10 times higher than the legal limit during a show at London’s Tate Modern in 2012.

‘Study claims artist’s famed works were releasing poisonous gas’
Fox News | April 25, 2016 | Michael Harthorne

Phillips and Invaluable announce partnership

Art Daily

BOSTON, MASS.- Invaluable, the world’s leading online marketplace for buying fine art, antiques and collectibles, and Phillips, a leading global platform for buying and selling 20th and 21st century art and design, today announced the launch of a new partnership to offer Phillips catalogs for online bidding on the Invaluable marketplace.

‘Phillips and Invaluable announce partnership for online bidding on the Invaluable marketplace’
Art Daily | April 23, 2016

The Online Art Market Is Booming

Artsy

On Tuesday, art insurance company Hiscox released its fourth annual report detailing the state of the online art trade. Their findings, which examine data gathered by art market research firm ArtTactic, confirm indications in last month’s TEFAF report that the cooling of the global art market has not yet affected online sales—on the contrary, they are at an all-time high. Below are five takeaways from the 2016 report.

‘The Online Art Market Is Booming—Here’s What You Need to Know’
Artsy | April 22, 2016 | Abigail Cain and Isaac Kaplan

Old Paintbrushes Transformed into Famous Ladies

Fubiz

Rebecca Szeto is an artist who lives and works in San Francisco, California. His work plays with notions of re-forming beauty and value. Influenced by her love for art history, she uses humble and end-of-life materials, to give them a new future. These old paintbrushes were transformed into well-known ladies, of any times : dancers, duchesses, icons of famous paintings, each of them marked their time by their courage, their blackness of soul or on contrary their dedication. All details of these women lives are on her website.

‘Old Paintbrushes Transformed into Famous Ladies’
Fubiz | April 22, 2016

Wildlife Portraits Capture Wastelands

The Creators Project

English photographer Nick Brandt first had occasion to visit East Africa in 1995, as the director of the music video for Michael Jackson’s “Earth Song.” As many have, he simply “fell in love with the place,” not least with the animals that live there. “That experience shifted my focus in terms of what I wanted to say about the world,” says Brandt, and for almost two decades now, he has exclusively dedicated himself to saying it.

‘Monumental Wildlife Portraits Capture Wastelands Once Roamed’
The Creators Project | April 22, 2016 | Shana Nys Dambrot

You’re Looking at Art Wrong

The Creators Project

Ryan McGinness‘ approach to art and the art world is sardonic yet earnest, a mature version of the rebellious ethos that defined his youth in 90s skate culture. He’s soft-spoken and very tall, a gentle giant from Virgina Beach, long and far away from his current space on the top floor of a six-story former factory in New York’s Chinatown.

‘Ryan McGinness Thinks You’re Looking at Art Wrong | Studio Visits’
The Creators Project | April 22, 2016 | Beckett Mufson

India’s Richest Woman Nita Ambani Eyes The Art World

Blouin Artinfo

India’s richest woman with a $20 billion family fortune and a 27-story sky palace in India’s south Mumbai, billed as the world’s most expensive home for its $1 billion estimated cost – Nita Ambani is now eyeing the art world. Her new interest is the conservation of Indian art forms and making them more widely known internationally.

‘India’s Richest Woman Nita Ambani Eyes The Art World’
Blouin Artinfo | April 22, 2016 | Bibhu Pattnaik

The artist who stole Banksy’s work

Hyperallergic

Co-directors Ian Roderick Gray and Dylan Harvey may be as good at performing in front of an audience as they are at calling the shots behind the camera. Their new film, The Banksy Job, looks remarkably like the 2010 mockumentary Exit Through the Gift Shopbut Gray and Harvey maintain that the whole thing is unscripted. During the Q&A after a Tribeca Film Festival screening earlier this week, the pair kept straight faces as they answered questions about their wild protagonist, AK47 (“AK” stands for Art Kaida, his “art terrorist” organization). “You can’t script a madman,” they said.

‘A Documentary About the Artist Who Stole Banksy’s Work Out of Spite’
Hyperallergic |  April 22, 2016 | Alina Cohen

1,400 Square Feet of Candy-Colored Resin

Colossal

Painter Peter Zimmermann has moved his colorful hues from canvas to floor in his latest exhibition “Freiburg School,” at the Museum für Neue Kunst in Freiburg, Germany. The installation is composed of bright blue, pink, and peach resin that appears like a candy-colored lagoon beneath the feet of museum-goers.

‘1,400 Square Feet of Candy-Colored Resin Layered Onto the Floor of a German Museum’
Colossal | April 22, 2016 | Kate Sierzputowski

Yayoi Kusama Is Only Artist Named in ‘TIME’s 100 Most Influential People

Artnet

Roundups of movers and shakers are ubiquitous, but the one that makes the biggest waves every year is the TIME 100 list. The publication released their 2016 edition of the world’s most influential people on Thursday, and a number of art world names have been included.

‘Yayoi Kusama Is Only Artist Named in ‘TIME’s 100 Most Influential People’
Artnet | April 21, 2016 | Rain Embuscado

Damien Hirst Returns to Gagosian Gallery

NY Times

Damien Hirst has a knack for arresting attention, as he did by encrusting the platinum cast of a human skull in 2007, by pulling off a $200 million all-Hirst auction at Sotheby’s in 2008 and by leaving the Gagosian Gallery in 2012, after he had been represented there for 17 years.

Now Mr. Hirst has done it again, announcing that he is returning to Larry Gagosian, who is welcoming him back.

‘Damien Hirst Returns to Gagosian Gallery’
NY Times | April 21, 2016 | Robin Pogre bin

Inside A Pacific Palisades Home That Is An Art Collector’s Dream

Elle Decor

He’s an über-modernist, favoring sleek lines and large expanses of glass. She bends more to the traditional, preferring soft curves and mullioned windows. So when designer Alison Palevsky and her husband, Alexander, began discussing plans for their home in Pacific Palisades, California, there was plenty of, shall we say, back and forth before a successful blending of their styles was realized.

‘HOUSE TOUR: Inside A Pacific Palisades Home That Is An Art Collector’s Dream’
Elle Decor | April 21, 2016 | Catherine Ettlinger
http://www.elledecor.com/design-decorate/house-interiors/a8444/pacific-palisades-home/

Placement makes perfect

Vandalog

It’s no secret that good placement can make or break a piece or street art or a mural. That can mean picking the perfect place to install an artwork, or responding to the space that’s available and making something that takes that space into consideration. Think of it this way: Site-specific should mean the work is in some way specific to a site, not simply located at a site. And when art is site-specific, it can make a big difference. Recently, some artists practicing good placement have really caught my eye. Here are a few examples: 

‘Placement makes perfect’
Vandalog | April 20, 2016 | RJ Rushmore

Duchamp, Eat Your Heart Out

NY Times

Unlike professional athletes, actors (Gene Hackman) and some novelists (Philip Roth), visual artists don’t usually retire. Or if they do, they don’t announce it.
But in 2011, Maurizio Cattelan — one of the most expensive living artists, then at the peak of his career and the subject of an uproarious retrospective at the Guggenheim Museum — told the world that he was finished, fatigued both creatively and by the velocity of the money-fueled art world. During the last couple of years, though, Mr. Cattelan found himself itching to make things in three dimensions again.

NY Times | April 19, 2016 | RANDY KENNEDY

Cornelia Parker places a house on The Met’s rooftop

Wallpaper

With spring suddenly in full bloom in New York, it seems timely for The Met to be making the most out of their rooftop space with a site-specific installation by the British artist Cornelia Parker.

When initially confronted with the space, Parker was taken aback by the daunting skyline and decided to create something architecturally incongruous, arriving on the concept of a large, red barn. ‘But then I realised – quite quickly – that red barns are way too big to put on the roof,’ Parker says.

‘House proud: Cornelia Parker places a 1920s-inspired house on The Met’s rooftop’
Wallpaper | April 19 | Carly Ayres

Former director of Knoedler Gallery breaks her silence

The Art Newspaper

In 2009, two years before news of the Knoedler Gallery’s $70m sale of fake Abstract Expressionist paintings began to emerge, Ann Freedman resigned as director. Two years later, the venerable gallery closed down and the lawsuits against Knoedler and Freedman began to flood in.

‘Former director of scandal-beset Knoedler Gallery breaks her silence’
The Art Newspaper | April 18, 2016 | Laura Gilbert, Bill Glass

In conversation with James Franco

Vulture

James Franco has famously resisted being identified as merely an actor, pursuing a simultaneous life in the art world — making videos of dollhouses split in half, painting fat pets, and restaging Cindy Sherman’s iconic 1977–1980 “Untitled Film Stills,” with Franco himself standing in for Sherman, who was (in her own version) standing in for a variety of actresses in B-movies. 

‘In conversation with James Franco’
Vulture | April 18, 2016 | Jerry Saltz

16 Envy-Inducing Celebrity Art Collectors

My Domaine

A personal art collection, regardless of how expensive the pieces may be, is what makes a house a home. These accents are essential finishing touches—they can elevate even a room filled with big-box pieces to something one of a kind. There are some people who simply have a great eye for art.

’16 Envy-Inducing Celebrity Art Collectors’
My Domaine | April 17, 2016 | Julia Millay Walsh

Xavier delory envisions le corbusier’s ronchamp chapel covered in graffiti

Designboom

Back in 2014, brussels-based artist xavier delory shared with designboom a series of images depicting le corbusier’s villa savoye ransacked and covered with defaced with wall writings.

‘Xavier delory envisions le corbusier’s ronchamp chapel covered in graffiti’
Designboom | April 15, 2016 | Nina Azzarello

Frieze gets the Hollywood treatment

The Art Newspaper

Company of super agent Ari Emanuel has invested in London-based publisher and art fair.

The US sports and entertainment conglomerate WME-IMG, which is run by the Hollywood super agent Ari Emanuel and his business partner Patrick Whitesell, has invested in Frieze, the London-based publisher and art fair. The sum invested and the size of WME-ING’s shareholding have not yet been revealed.

‘Frieze gets the Hollywood treatment’
The Art Newspaper | April 15, 2016 | ERMANNO RIVETTI

Getting the Art Out on the Streets

The New York Times

Public art, whether the public knows it or not, is becoming more of a private enterprise.
A number of countries have slashed funding for cultural projects since the financial crisis of 2008. In London, for example, spending by local councils on arts and culture fell 19 percent from 2010 to 2015, according to a report published on Wednesday by Arts Council England.

‘Getting the Art Out on the Streets’
The New York Times | April 15, 2016 | Scott Reyburn

Empty Britain: portrait of a nation without any people

The Guardian

From rentakit housing estates to industrial wastelands and deserted roads, photographer Polly Tootal goes beyond picture postcards to capture less celebrated corners of Britain. Look closely – there’s not a tourist in sight.

For her series Unknown Places, photographer Polly Tootal headed out across the UK to show how exotic and odd apparently familiar vistas can appear.

‘Empty Britain: portrait of a nation without any people – in pictures’
The Guardian | April 14, 2016

30 Emerging Artists to Watch This Spring

Artsy

With the spring art season comes a slew of gallery exhibitions, museum shows, and art fairs brimming with the latest crop of young artists. In preparation, we consulted hundreds of galleries and sifted through thousands of artworks to uncover the 30 most promising up-and-coming artists across the globe.

’30 Emerging Artists to Watch This Spring’
Artsy | April 13, 2016 | Artsy Editors

Modigliani With Nazi Links Sparks Geneva Criminal Probe

Bloomberg

Geneva prosecutors opened a criminal probe into the ownership of an Amedeo Modigliani painting believed to have been taken by the Nazis in World War II as part of a New York legal dispute over the $20 million art work.

As part of the case, investigators on Friday searched facilities at the Geneva Free Ports, and confiscated the painting, “Seated Man with a Cane”, the Geneva Prosecutor’s Office said in a statement Monday. Aaron Golub, a lawyer for David Nahmad and International Art Center, said the painting was still at the site in Geneva.

‘Modigliani With Nazi Links Sparks Geneva Criminal Probe’
Bloomberg | April 11, 2016 | By Hugo Miller, Edvard Pettersson, Katya Kazakina

AN ARTIST CAN NOW EASILY CREATE A CERTIFICATE OF AUTHENTICITY – A TALK ON VERISART APP WITH ROBERT NORTON

Widewalls

At a time when the art of trading art is thriving on a growing international and online marketplace, it’s hard to be sure of an artwork’s authenticity.

‘AN ARTIST CAN NOW EASILY CREATE A CERTIFICATE OF AUTHENTICITY – A TALK ON VERISART APP WITH ROBERT NORTON’
Widewalls | April 11, 2016 | Angie Kordic

$14.5M West Village Carriage House Is Both Private Gallery and Family Home

6sqft

Purchased in 1996 for $950,000 by French music producer, newspaper publisher, entrepreneur and passionate lifelong art collector Jean Lignel, this West Village carriage house received a renovation by architect Jeffrey Flanigan that transformed the 1834 landmark into both a family home and a made-to-order art gallery with 6,700 interior square feet and 1,825 square feet of outdoor space.

‘An Art Collector’s $14.5M West Village Carriage House Is Both Private Gallery and Family Home’
6Sqft | April 1, 2016 | MICHELLE COHEN

FUCKING NEW YORK WITH NIKOLA TAMINDZIC

Widewalls

Nikola Tamindzic, a New York-based photographer is someone who delivers raw and seemingly unplanned photographs. He manages to capture the essence of the person he shoots, the vibe of the city he depicts, the hectic feeling of the environment, and the strong statements that lie behind his works.

‘FUCKING NEW YORK WITH NIKOLA TAMINDZIC’
Widewalls | March 29, 2016 | Ana Moriarty

Nude Portraits Series by Amanda Charchian

Fubiz

Photographer Amanda Charchian offers us nude portraits full of surrealism by creating all kind of game of lights and colors. Her models appear like wood nymphes evolving surrounded by nature. The artist is full of imagination and explores all the particularities landscapes have to offer to create poetic interaction with the body of her venus. The book titled Pheromone Hotbox celebrates her work in a beautiful way.

‘Nude Portraits Series by Amanda Charchian’
Fubiz | March 22, 2016

GUILLERMO DEL TORO TAKES HIS EERIE ART COLLECTION AROUND THE GLOBE

Widewalls

If you are anything like me, you’ve probably grown up watching the creepy old movies, reading Edgar Allan Poe, investigating old eerie buildings and going on ghost hunting adventures. For the lovers of fright, Guillermo del Toro has decided to share his spooky art collection with the world, and we couldn’t be happier! The director of Pan’s LabyrinthCrimson PeakPacific Rim, and the iconic Hellboy has been assembling a vast collection of all things creepy: books, films, artworks, and various memorabilia, and storing them in what he calls his Bleak House – and it must be Halloween every day over there!

‘GUILLERMO DEL TORO TAKES HIS EERIE ART COLLECTION AROUND THE GLOBE’
Widewalls | March 21, 2016 | Ana Moriarty

An Art Collector’s Apartment in São Paulo, Brazil

Yatzer

Many of us may have preconceptions about how an Art Collector’s apartment would look and how they would choose to display art in their personal space. Whilst this apartment is home to some exquisite art, it is also a functional family residence where the boundaries between living and exhibiting blend smoothly and in a subtle way. 

‘An Art Collector’s Apartment in São Paulo, Brazil’
Yatzer | March 17, 2016 | Loukas Angelou

This Instagram account sees vaginas everywhere

Dazed

If you can look at the world around you and see vaginas everywhere, then some (I) might say you’re a lucky person. If you look around and don’t see vaginas everywhere, then there’s an Instagram feed to help you out. @Look_At_This_Pussy is the brainchild of Los Angeles 20-somethings Eva Sealove and Chelsea Jones.

‘This Instagram account sees vaginas everywhere’
Dazed | March 9, 2016 | Ashleigh Kane

Valeria Napoleone: Foremost Collector of Modern Female Art

Another

Valeria Napoleone does not live in a house like yours – or mine, for that matter. Behind the classical walls of the Italian-born art collector’s leafy Kensington abode, lays an expansive collection of contemporary masterpieces. The ground-floor sitting room, for example, reveals a startling selection of works by pioneering female artists such as Lily Van der Stokker, Goshka Macuga and Guan Xiou – all displayed with loving causality, as though to reassure guests (and certainly her three children: Federico, Gregorio and Letizia) that this is a family home, and not a gallery.

‘Valeria Napoleone: Foremost Collector of Modern Female Art’
Another | March 8, 2016 | Natalie Rigg


At Home With Art Collectors Greg Miller and Michael Wiener

Observer

There aren’t too many New Yorkers who can boast that they live in a 3,000-square-foot, two-bedroom, two-bathroom loft, with a doorman, elevator and view overlooking Cooper Square in the East Village—and even fewer who can say their home is filled with works by some of today’s most recognizable living art stars.

‘At Home With Art Collectors Greg Miller and Michael Wiener’
Observer | March 3, 2016 | Alanna Martinez

The Art Megacollectors Who Live in Their Own Contemporary Museum

Vulture

Once a year, to coincide with the Armory Show weekend in March, megacollectors Michael and Susan Hort open the art-covered 17,000-square-foot spread of their downtown home to hundreds of art-worlders, who come to peruse the couple’s collection of more than 3,700 works of contemporary art. This time, they’ll be serving bagels next door.

‘The Art Megacollectors Who Live in Their Own Contemporary Museum’
Vulture | February 26, 2016 | Jerry Saltz

Amar’e Stoudemire Is Igniting a Fast Break for Emerging Art in the NBA

Artsy

“If you see a painting out there and you wanna call me, I can give you the 411,” six-time NBA All-Star Amar’e Stoudemire tells me from his Miami mansion, a 14,555-square-foot home filled with run-of-the-mill baller pad fare—a movie theater, a nine-car garage, a game room complete with a wet bar—oh, and a budding art collection.

‘Amar’e Stoudemire Is Igniting a Fast Break for Emerging Art in the NBA’
ARTSY | MOLLY GOTTSCHALK | February 23, 2016

How Jochen Zeitz Creates the World’s Largest Museum of Contemporary African Art

Larry's List

Contemporary Art from Africa has been on the rise over the years. Not only devotees of art from Africa but also the global art scene are eagerly looking forward to one important event: the opening of the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) in Cape Town in September 2017.

‘How Jochen Zeitz Creates the World’s Largest Museum of Contemporary African Art’
Larry’s List | February 22, 2016

THE MOST FAMOUS PAINTERS OF THE 20TH CENTURY

Widewalls

To talk about the art of the 20th century and all its famous painters is to talk about an exciting, complex, groundbreaking period in the history of arts that had broken away from tradition and changed the way we comprehend the arts forever. Rooted so deeply in the immediate socio-political reality of its time as well as the highly influential artistic and technological developments from the end of the 19th century, the art created between 1900 and 2000 is one that goes beyond its pure visual approach, one that hides an intellectual theory behind its mysterious façade, one that reaffirms and denies itself in unprecedented ways.

‘THE MOST FAMOUS PAINTERS OF THE 20TH CENTURY’
Widewalls | February 12, 2016 | Angie Kordic

Majestic Underwater Portraits by Phoebe Rudomino

Fubiz

Phoebe Rudomino is a photographer who isn’t afraid of get wet to go capture elegant women portraits or celebrities behind her diving lens. She got specialized in behind-the-scenes stills and video for cinema, TV and advertising. She worked on many aquatic movie shootings like Skyfall, Casino Royale, Atonement, Harry Potter and The Boat That Rocked.

‘Majestic Underwater Portraits by Phoebe Rudomino’
Fubiz | February 5, 2016

10 Great Films about Art and Design

Designcollector

Guys from People of Print teamed up with filmmaker and animator Tommy Levi Morenos to create a list of films that will challenge and inform your understanding of creativity. Together they have cherry picked ten great films that explore the subjects of hands-on crafts and human imagination, hoping to provide inspiration for designers – and indeed anyone who is passionate about visual culture.

’10 Great Films about Art and Design’
Designcollector | February 05, 2016 | Arseny Vesnin

Classical Paintings Rock Modern Tats

The Creators Project

Since its return to Paris, the Mondial du Tatouage has become one of the largest international tattoo exhibitions ever held, with approximately 32,000 people in attendance last year. In anticipation for the upcoming event, Nicolas Amiard, the French digital artist known for his Star Wars-themed vignettes, released a new series of photo manipulations entitled, The Art of Tattoo.

Classical Paintings Rock Modern Tats’
The Creators Project | February 5, 2016 | Nathaniel Ainley

How should we support creativity?

The Guardian

Fancy a creative future? Then look no further than 64 Million Artists, a national campaign that wants to unlock the creativity of everyone in Britain. Throughout January it set short daily creative challenges up to 20 minutes long that were “designed to fit into your day and bring it to life, making you more aware of your surroundings, introducing you to new places and people”.

‘How should we support creativity?’
The Guardian | February 5, 2016 | Susan Jones

Old Paintings, Grotesquely Reanimated

The Creators Project

Antiquated sexts, suicidal scientists, and the end of the world as we know it are just a few of the idle thoughts artist Kiszkiloszki has transformed into GIFs. Like friend of The Creators Project Scorpion Dagger, Kajetan Obarski animates old paintings in absurd modern circumstances, but adds a heap of ickiness. Blood and guts are everywhere in his body of work, and the glee he takes in composing them is evident.The visuals are always compelling, and the pure WTF factor of the scenarios he thinks up are well worth the gore.

‘Old Paintings, Grotesquely Reanimated | GIF Six-Pack’
The Creators Project | February 5, 2016 | Beckett Mufson

SIX OF THE STRANGEST ART MUSEUMS AROUND THE WORLD

Food And Wine

For those begging for a museum experience beyond ankle-aching walk-throughs glancing at portraits and landscapes: there’s hope. Toilet seat lids, volcanic ash, corn—these are just a few of the materials to create the masterpieces in the world’s weirdest museums.

‘SIX OF THE STRANGEST ART MUSEUMS AROUND THE WORLD’
Food And Wine | February 5, 2016 | Jordanna Lippe

The selfie really is a form of art

If it’s good enough for Goya, it’s good enough for you.
Before camera phones were ubiquitous, there was another name for a selfie—a “self portrait”. As the so-titled works by Goya, Gordon Coster, Anthony van Dyck and Edgar Degas below show, sometimes you are your own best subject. 
The Metropolitan Museum of Art has compiled a droll selection of old-fashioned “selfies” from its collection in honor of international #museumselfie day, a hashtag campaign today that encourages museum-goers to incorporate themselves as subjects in pictures with the art.
See the entire catalog here

‘The Metropolitan Museum of Art confirms: The selfie really is a form of art’
Quartz | January 20, 2016 | Kate Groetzinger

LA’s Most Instagrammable Walls and Street Art for Snapping Like-Worthy Shots

Call it a survival instinct to be accepted by the tribe (or vanity or whatever), but there’s something insanely satisfying about seeing “Like” notifications blow up on our phones. As any Instagram megastar will tell you, this simple self-esteem booster can require serious scenery scouting in order create the most visually stunning (and double tap-worthy) feed.

‘LA’s Most Instagrammable Walls and Street Art for Snapping Like-Worthy Shots’
LA Racked | January 20, 2016 | DANIELLE DIRECTO-MESTON

ARTISTS CAN BE GREAT COLLECTORS: HOW COME?

Widewalls

As you remember reading in our many features dedicated to the art of collecting art, to become an art collector you need to be passionate, informed and patient. Of course, if you’re rich too, it’s a big plus, given that money opens the door to a much wider choice of artworks, but it’s surely not mandatory.

‘ARTISTS CAN BE GREAT COLLECTORS: HOW COME?’
Widewalls | January 15, 2016 |  Angie Kordic

Dive inside a Dalí painting with virtual reality

Cnet

The Dalí Museum takes you through the mind of Salvador Dali in a new VR experience. Bridget Carey goes for a ride and talks to the creators.
The possibilities of virtual reality go way beyond video games.
The Dali Museum in St. Petersburg, Fla. is taking guests on a journey through the mind of Salvador Dali with a new VR experience called, “Dreams of Dali.” Watch CNET Update to learn about the program and how you can experience it at home:

‘Dive inside a Dalí painting with virtual reality’
cnet | January 15, 2016 | Bridget Carey

MEET OUR FAVORITE FASHION PHOTOGRAPHERS

Widewalls

Fashion without photography is like a day without sunshine, and fashion photographers bring the sun to the gloomy day. The masters of their trade use photography as a means of depicting clothing and various other fashion items while still remaining in the realm of art, and not pure product placement.

‘MEET OUR FAVORITE FASHION PHOTOGRAPHERS’
Widewalls | January 15, 2016 | Ana Moriarty

Must Sees: December 21 – 27

LONDON

1. Random Darknet Shopper – !Mediengruppe Bitnik | Horatio Junior Gallery
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Swiss artists Domagoj Smoljo and Carmen Weisskopf return with their Random Darknet Shopper, a computer that has been programmed to randomly purchase items from the Darknet. The Darknet Shopper, which peruses a hidden part of the web frequented by undesirables, has uninterrupted access to purchasing explosives, counterfeit items and class A drugs which are then to be delivered to an unassuming South London gallery. So far there have been 3 deliveries: a counterfeit Lacoste t-shirt from Thailand, 2 Antminer USB Bitcoin miners from the USA and 20 traingle firecrackers from Germany…more to come!

Curated by Thomas Kitchin

Where: The Lord Nelson, 66 Canon Beck Road, Rotherhithe, London, SE16 7DN
When: Until 5 February 2016
What: www.horatiojr.com/Current

2. Bloomberg New Contemporaries | ICA

Oliver McConnie, Factory Town, 2015

Oliver McConnie, Factory Town, 2015

Now in its sixth year, Bloomberg New Contemporaries presents a selection of work by recent graduates from UK art schools. Selected by Hurvin Anderson, Jessie Flood-Paddock and Simon Starling, these artists represent emerging talent working in a variety of mediums. This year themes of gender, labour, value and consumption have been explored, as well as an interest in the act of making through differing modes of artistic production.

The Bloomberg New Contemporaries for 2015 are Sïan Astley, Kevin Boyd, Lydia Brockless, U. Kanad Chakrabarti, James William Collins, Andrei Costache, Julia Curtin, Abri de Swardt, Melanie Eckersley, Jamie Fitzpatrick, Justin Fitzpatrick, Hannah Ford, Sophie Giller, Richard Hards, Juntae T.J. Hwang, Jasmine Johnson, Tomomi Koseki, Hilde Krohn Huse, Pandora Lavender, Jin Han Lee, Hugo López Ayuso, Beatrice-Lily Lorigan, Scott Lyman, Hanqing Ma & Mona Yoo, Scott Mason, Oliver McConnie, Mandy Niewöhner, Hamish Pearch, Neal Rock, Conor Rogers, Katie Schwab, Tim Simmons, David Cyrus Smith, Francisco Sousa Lobo, Aaron Wells, Morgan Wills and Andrea Zucchini.

Where: The Mall, London, SW1Y 5AH
When: Until 24 January 2016
What: www.ica.org.uk

3. Fabio Mauri’s Oscuramento: The Wars of Fabio Mauri | Hauser & Wirth

Fabio Mauri, Fratelli (Picnic o ll buon soldato) [Brothers (Picnic or The Good Soldier)], 1998. 
Iron, Wood, Aluminium Bottle, Military Hats

Fabio Mauri, Fratelli (Picnic o ll buon soldato) [Brothers (Picnic or The Good Soldier)], 1998. 
Iron, Wood, Aluminium Bottle, Military Hats

Hauser & Wirth presents a historical solo exhibition of works by Italian artist Fabio Mauri, his first show in London in over 20 years. Mauri’s practice spans performance, film, installation, found-object sculpture, mixed media works and theoretical writings, which brings into question the power of language. Oscuramento: The Wars of Fabio Mauri focuses on a series of works titled Picnic o Il buon soldato (Picnic or The Good Soldier), which reflects on the repercussions of conflict on collective cultural memory and its projection throughout contemporary society.

Where: 23 Savile Row, London, W1S 2ET
When: Until 6 February 2016
What: www.hauserwirth.com

4. Gavin Turk: Wittgenstein’s Dream | Freud Museum

Gavin Turk, (2015)

Gavin Turk (2015)

‘We are asleep. Our life is like a dream. But in our better hours we wake up just enough to realise that we are dreaming.’ – Ludwig Wittgenstein.
The Freud Museum presents Wittgenstein’s Dream, an exhibition of works by Gavin Turk. Turk investigates the dialogue between two Viennese thinkers, Sigmund Freud and Ludwig Wittgenstein, through a series of installations and interventions in Freud’s former residence in North London.
In association with Ben Brown Fine Arts, curated by James Putnam.

Where: 20 Maresfield Gardens, London, NW3 5SX
When: Until 7 February 2016
What: freud.org.uk

5. Susan Hillier | Lisson Gallery

Susan Hillier, Wild Talents (1997) Video installation: 3 synchronised programs, chair, monitor, votive lights, 2 projected programs, colour with stereo sound and one black and white silent program on video monitor

Susan Hillier, Wild Talents (1997) Video installation: 3 synchronised programs, chair, monitor, votive lights, 2 projected programs, colour with stereo sound and one black and white silent program on video monitor

Susan Hillier’s first solo exhibition in London since 2011 presents a number of recently rediscovered early works, as well as a selection of new works. Occupying both galleries on Bell Street, the exhibition loosely groups Hiller’s practice into four on-going themes: transformation, the unconscious, belief systems and the role of the artist as collector and curator.

Where: 27 & 52 Bell Street, London, NW1 5BY
When: Until 9 January 2016
What: www.lissongallery.com

NEW YORK

1. Corinne May Botz, Bedside Manner | Benrubi Gallery

Corinne May Botz, Hands from Bedside Manner (2013)

Corinne May Botz, Hands from Bedside Manner (2013)

Brooklyn-based photographer Corinne May Botz blurs the line between the actual and the artificial in a series of images for her first solo exhibition at the Benrubi Gallery, Bedside Manner. Botz photographs the unknown world of medical simulations, in which trained medical
actors portray so-called ‘standardised patients’ in order to help medical students improve their diagnostic and interpersonal skills. The situations are performative, yet the viewer is left feeling unsure as to whether the images depict a re-enactment or a real life encounter.

Where: 521 West 26th Street, 2nd Floor, New York, NY 10001
When: Until 6 February 2016
What: benrubigallery.com/

2. Lech Szporer, Burial for Rebellion: Studies in Post-Criminality | Y Gallery
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Revolving around the narrative of post-criminality, Lech Szporer’s exhibition at the Y Gallery challenges our relationship between ideas surrounding art and criminality. Burial for Rebellion: Studies in Post-Criminality is be made up of five interventions, The Stolen Judge’s Pen, The NBC Arrest, The Slave Is Not For Sale Juneteenth Reenactment, Attempted Circumnavigation of Rikers Island, and The Cage Project, which all confront the theme of the prison from multiple critical angles, as well as drawings, paintings, sculptures, photography and videos relating to these actions.

Where: 319 Grand Street, New York, NY 10002
When: Until 31 December 2015
What: www.ygallerynewyork.com

3. Pat O’Neill, Let’s Make A Sandwich | Mitchell-Innes & Nash Gallery

Pat O’Neill, Safer than Springtime (1964)

Pat O’Neill, Safer than Springtime (1964)

The Mitchell-Innes & Nash Gallery presents Let’s Make A Sandwich, which spans five decades of LA-based artist Pat O’Neill. The film, in which the exhibition takes its title, was originally filmed in 1978 on 16mm film and is made up of strange and playful vignettes including an image of a mother and daughter making their version of a Welsh rabbit sandwich (also known as Welsh rarebit, and contains no rabbit), imagery which is illustrative of the surreal motifs present throughout the exhibition.

Where: 534 West 26th Street, New York, NY 10001
When: Until 23 January 2016
What: www.miandn.com

4. Agitprop! | Brooklyn Museum of Art

Dread Scott (American, b. 1965). Performance still from 
On the Impossibility of Freedom in a Country Founded on Slavery and Genocide, 2014

Dread Scott (American, b. 1965). Performance still from 
On the Impossibility of Freedom in a Country Founded on Slavery and Genocide, 2014

Agitprop! at the Brooklyn Museum of Art connects contemporary art devoted to social change with historic moments in creative activism. These projects highlight struggles for social justice since the turn of the twentieth century, from women’s suffrage and antilynching campaigns to contemporary demands for human rights, environmental advocacy, and protests against war and economic inequality.

The first round of invited artists includes Luis Camnitzer, Chto Delat?, Zhang Dali, Dread Scott, Dyke Action Machine!, Friends of William Blake, Coco Fusco, Futurefarmers, Ganzeer, Gran Fury, Guerrilla Girls, Jenny Holzer, Los Angeles Poverty Department, Yoko Ono, Otabenga Jones & Associates, Martha Rosler, Sahmat Collective, Adejoke Tugbiyele, Cecilia Vicuña and John Dugger, and, in a collaborative work, The Yes Men with Steve Lambert, CODEPINK, May First/People Link, Evil Twin, Improv Everywhere, and Not An Alternative, along with more than thirty writers, fifty advisers, and a thousand volunteer distributors.

Where: 200 Eastern Parkway, Brooklyn, New York, 11238–6052
When: Until 26 August 2016
What: www.brooklynmuseum.org

5. Yoko Ono, The Riverbed | Galerie LeLong
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“THE RIVERBED is over the river in-between life and death.
Stone Piece: Choose a Stone and hold it until all your anger and sadness have been let go.
Line Piece: Take me to the farthest place in our planet by extending the line.
Mend Piece: Mend with wisdom mend with love. It will mend the earth at the same time.”
– Yoko Ono

Following her recent exhibition at the Museum of Modern Art, Yoko Ono presents a full gallery installation titled The Riverbed. Audience participation is key to THE RIVERBED and Ono encourages the completion of the work through everyday actions coupled with contemplation; the viewer enters into a collaboration with the artist.

Where: 528 West 26th Street, New York, NY 10001
When: Until 29 January 2016
What: www.galerielelong.com

Skate Park Fills a Former Spanish Church

The Creators Project

A church in Asturias, Spain that was converted into a skate park just got a stunning new coat of paint thanks to Madrid-based street artist Okuda San Miguel. Known for his stunning geometric vistas, San Miguel needed to paint the Church of Santa Barbera, a.k.a., the Kaos Temple, the moment he saw it on the internet. “[The church] with a skate park is an amazing image. I fell in love with the place, because both concepts were so right together,” he tells The Creators Project.

‘Skate Park Fills a Former Spanish Church’
The Creators Project | December 17, 2015 | Beckett Mufson

16 things about Warhol’s ‘Campbell’s soup

Mentalfloss

It’s easy to look at Andy Warhol’s breakout Campbell’s Soup Cans and think, “What’s to know? It’s cans of soup.” Critics certainly did. But that’s just one of the bumps Warhol’s work hit on its path to becoming iconic. 

1. IT’S NOT AS REPETITIVE AS YOU MIGHT THINK.

At a glance, Campbell’s Soup Cans looks like a series of repetitions of the same can on similar 20-inch-by-16-inch canvases. But the reason Warhol cranked through 32 different canvases can be found on closer inspection of the names on both the cans and the paintings. (Tomato, Clam Chowder, Black Bean…) Warhol created a portrait of every non-frozen Campbell’s soup flavor available to him in 1962.

2. WARHOL BECAME A MACHINE TO MASTER HIS VISION. 

After buying every kind of can at his local grocery store, the eccentric artist projected each can onto a canvas. Each time he carefully traced out their finest details. Then, the 33-year-old meticulously filled in his outlines, hoping to mimic the mechanically reproduced look of the original labels.

3. WARHOL’S PROCESS WASN’T PERFECT. 

Warhol used a hand stamp to keep the fleur-de-lis pattern that lines the bottom of each can consistent. But his placement varied from canvas to canvas. Similarly, the hues of red and white vary slightly, and one soup can is missing the gold band. But some critics have argued these human touches amid attempted uniformity are what make Campbell’s Soup Cans so compelling.

4. THE PAINTINGS’ GALLERY DEBUT ALSO PULLED INSPIRATION FROM THE GROCERY STORE.

While visiting the Pittsburgh-born provocateur in the midst of Campbell’s Soup Cans’ production, art dealer Irving Blum was so impressed that he offered Warhol a show at the Ferus Gallery in Los Angeles. Blum staged the series of soup can paintings on grocery store shelves that lined the length of his groundbreaking gallery.

5. THE PAINTINGS MADE HISTORY.

GETTY IMAGES

Not only was the Ferus Gallery show Warhol’s first solo exhibition of pop paintings, it was also the first time Pop art had been displayed on the West Coast. No matter what the response was, this was a history-making event.

6. THE CRITICS WERE HARSH. 

The Los Angeles Times wrote of the exhibit, “This young ‘artist’ is either a soft-headed fool or a hard-headed charlatan.” Essentially, Warhol’s cans reignited the age-old debate about art versus commercialism that plagued Pop art in the early 1960s.

7. OTHERS OPENLY MOCKED THE WORK. 

One art dealer down the street from the Ferus crudely lampooned Campbell’s Soup Cans by stacking actual soup cans in his gallery. To add insult to injury, the enterprising art troll promoted the event by advertising that at two for 33 cents, his cans were cheaper than Warhol’s, which were selling for $100 each.

8. THE INITIAL SALES STRATEGY WAS SHAKY. 

Though the rising artist had already been featured in a Time magazine article with the likes of American Pop pioneers Roy Lichtenstein, Wayne Thiebaud, and James Rosenquist, Blum advised Warhol to set a “low price level during initial exposure.” This plan did help sell five of the 32 paintings. But Blum soon realized selling the cans individually would destroy the power of the pieces as an ensemble. To correct the situation, he reached out to all the owners, including movie star Dennis Hopper, and bought back all of the sold pieces. Then Blum offered Warhol $1000 for the lot, which Warhol accepted.

9. KEEPING THE CANS TOGETHER CEMENTED THEIR LEGACY. 

Reflecting back on Campbell’s Soup Cans, the BBC credited Blum’s grouping of the 32 canvases as the cause for the public’s shift from apathy to excitement over the series. “This made it different; it made it a statement,” journalist Sara McCorquodale wrote. “The work seemed to speak of the spirit of a new America, one that thoroughly embraced the consumer culture of the new decade. Before the end of the year Campbell’s Soup Cans was so on-trend that Manhattan socialites were wearing soup can-printed dresses to high-society events.”

10. CAMPBELL’S BECAME A WARHOL STAPLE.

GETTY IMAGES

Campbell’s Soup ICampbell’s Tomato Juice BoxSmall Torn Campbell’s Soup Can (Pepper Pot)Campbell’s Soup with Can Openerand Crushed Campbell’s Soup Can (Beef Noodle) are just a few of the variations Warhol created on the theme.

11. THE WORK EVENTUALLY LAUNCHED WARHOL’S CAREER. 

His first solo exhibition was considered a flop, but Warhol was undeterred: He continued to churn out pop art inspired by Campbell’s soups and other pop culture-inspired pieces. And the critical and public opinion began to turn in his favor. By October of that year, The New York Times was proclaiming his pieces satirical.

The debate over his work raged on, but by the 1964 exhibit The American Supermarket, which took place on the Upper East Side of Manhattan, Warhol was asking for $1500 for one of his other soup can paintings, a steep increase from his Ferus days. Art historians now regard the L.A. show as Warhol’s breakthrough. The New York exhibition was just when the rest of us caught up with him. 

12. WARHOL HAD THE LAST LAUGH ON THOSE WHO HAD MOCKED HIM. 

The American Supermarket sold actual cans of Campbell’s Soup autographed by the artist. The show’s invitation blithely marketed their sale: “3 for $18, $6.50 each,” a 2900 percent markup over what an unsigned can would cost in a traditional supermarket. 

13. BLUM CASHED IN WHEN HE SOLD THE SOUP CANS. 

Once he acquired the Campbell’s Soup Cans, the curious art collector kept them for 34 years. During this period, he witnessed the rise of Andy Warhol, suffered the pain of the artist’s unexpected death in 1987, and held onto the paramount pieces for another nine years before selling them to New York City’s Museum of Modern Art for upwards of $15 million. 

14. THE MOMA CHOSE TO DISPLAY THE CANS IN A NEW WAY. 

Instead of mimicking Blum’s grocery aisle approach, the museum hung the canvases in a grid formation. They were arranged in chronological order of the introduction of each Campbell’s soup flavor, beginning with 1897’s Tomato on the top left. Recently, though, the museum has moved Tomato to the bottom and given Manhattan Style Clam Chowder pride of place.

15. WARHOL SINCERELY LOVED CAMPBELL’S SOUP.

GETTY IMAGES

He famously said, “I used to drink it. I used to have the same lunch every day, for 20 years, I guess, the same thing over and over again.” He had internalized the soups both literally and metaphorically. Warhol’s admiration of how the uniformity of each flavor was consistent from can to can inspired him to turn to photo-silkscreen printing following Campbell’s Soup Cans’s creation. This technique would become a signature of the artist’s unique brand, including his iconic portraits of Marilyn Monroe and Jacqueline Kennedy.   

16. CAMPBELL’S LOVED WARHOL RIGHT BACK. 

Warhol made the pantry staple feel cool, and Campbell’s appreciated the favor. In 1966, the company paid homage to Campbell’s Soup Cans with a limited edition dress. For just $1 and two can labels, a soup-loving fashionista could sport the paper Souper Dress. Today, these paper dresses can fetch upwards of $7500.

’16 Things You Might Not Know About Andy Warhol’s ‘Campbell’s Soup Cans”
Mentalfloss | December 9, 2016 | Kristy Puchko
mentalfloss.com

Weekly Instagram Competition artcube x portraiture

A R T C U B E’s Instagram competition this week celebrated the social craze for capturing portraits aka selfies. Turning this cultural frenzy into a movement for a creative outlook we explored portraiture through finding cool and intriguing representations of facial expressions. Selfie-sticks aside, we put up our favorite portraits from our ‘#artcubexportraiture’ competition. Congratulations for all those who made it to our Top Ten and look out for next week’s theme for a chance to be featured on our blog

1. @blairmcahill
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2. @mormaxartist
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3. @timiarugenbrink
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4. @beejewel1
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5. @karenfisherart
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6. @tyler_spangler
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7. @gjavolottl
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8. @relentful
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9. @amandakusai
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10. @tildetingfinder
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Inside the Home of Jorge Pérez, the Miami Collector Championing Latin American Art

Artsy

Jorge M. Pérez loves art with the kind of fervor usually reserved for obsessives. When he speaks about it, his movements are exaggerated, his voice louder. Historical information about each work gives way to onomatopoeia and gesture, sometimes proving fuller descriptors than words.

‘Inside the Home of Jorge Pérez, the Miami Collector Championing Latin American Art’
Artsy | December 1, 2015 | Monica Uszerowicz


Must Sees: November 30 – December 6

LONDON

1. The London Illustration Fair
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A four-storey warehouse, Bargehouse is transformed to host 50 young, emerging illustrators. The hand picked artists-chosen by an esteemed judging panel who are leading figures in illustration and graphic design- will set up their stands in this three day fair. With pop-up shops carrying their latest prints, to site specific installations and murals, as well as DJs and fully stocked bars this could be 2015’s coolest hung-out pre-Christmas.

4 Dec – 6 Dec
Bargehouse, Oxo Tower Wharf.
For more information check out: www.thelondonillustrationfair.co.uk

2. Big Bang Data
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How can you make art out of the serpentine cables of data, and how dark is this phenomenon we use everyday? This epic exhibition brings the answer with an artistic twist to offer tactile, immersive pieces with feline forms. The exhibition reminds us just how public our data is, where you can have your own tweet turned into a display for anyone to see such as the great posters created by Thomson & Craighead. Enter into the brave new world of art made from the public’s data, and just how your newsfeed may end up in an exhibition.

3 Dec – 28 Feb
Embankment Galleries, Temple.
For more information check out: www.somersethouse.org.uk

3. Taylor Wessing Photographic Portrait Prize
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This prestigious photographic portrait awards combines established and emerging artists showcasing only the best, in an ambitious approach reflecting contemporary portraiture. In a range of images trying to make a deeper connection with the audience by capturing different characters, moods and locations the exhibition builds an emotional journey with its observer. Alongside the anonymous individuals displayed are actors such s Benedict Cumberbatch and USA president Barack Obama with his wife Michelle Obama.

12 Nov – 21 Feb
National Portrait Gallery.
For more information check out: www.npg.org.uk

4. Gods Own Junkyard: My Generation
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Not quite the Christmas lights you would expect this year round, but certainly ones that should make it into your agenda. Chris Bracey, the brilliant neon artist and light impresario, has certainly not been forgotten by his family as they commemorate the artist’s one year passing by making their own display of dazzling pieces from the God’s Own Junkyard founder. In response to the signs made by the late artist comes the exploration of changing landscapes from his wife, sons and grandchildren.

26 Nov – 23 Jan
Lights of Soho, Soho. For more information check out: www.lightsofsoho.com

5. Reflections
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Reflections is an exhibition hosting various artists exploring ‘new media art. From digital photography of mystical and sensual character depicting nature and nudity, to digital projections and silent storytelling capturing momentary fragility in materials, to sound artists that transcends exquisite designed pieces. This exhibition is one that showcases just how technology has integrated itself in art and its monumental importance to make exceptional contemporary pieces.

19 Nov – 06 Dec
Opera Gallery.
For more information check out: www.operagallery.com

NEW YORK

1. Dead Treez by Ebony G. Patterson
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In a kaleidoscopic mix of floral fabrics the exhibition provides a mixed media installation. In an exploration of class, gender, race and media the exhibition is a meditation into Jamaican fashion and culture challenging the viewer to look closer at the jacquard tapestries. In an act of seduction the complex textiles depict victims from social media where the viewer acts as a witness.

10 Nov – 3 Apr
Museum of Art & Design, Hell’s Kitchen.
For more information check out: www.madmuseum.org

2. Collected by Thea Westreich Wagner and Ethan Wagner
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The exhibition provides an exclusive compilation of acclaimed artists from the noted collection of Thea Westreich Wagner and Ethan Wagner. Ranging from Diane Arbus, Robert Gober, Jeff Koons, Richard Prince, Sherrie Levine and Christopher Wool to name a few. It is a celebration of American and international work from the 1960s to the present which is one of a kind.

20 Nov – 6 Mar
Whitney Museum of American Art, Meatpacking District.
For more information check out: www.whitney.org

3. Gazing Ball Paintings by Jeff Koons
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With his work considered a high-culture trolling, people always seem to be at two ends with Jeff Koons: you either love it or hate it. Using a blue-mirrored, gazing ball ornament Koons has reprised the ball alongside white plaster sculptures of classical composition. Displayed (or misplaced) in reproductions of paintings such as Titian, El Greco, Courbet, Turn and Manet, the ball seems to be a fortune-teller that accidentally rolled in these masterful pieces.

9 Nov – 23 Dec
Gagosian Gallery.
For more information check out: www.gagosian.com

4. Anagrams, Arcadian Retreats, Anagrams (A Pun) by Robert Rauschenberg
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No one knows experimentation and wild innovation better than Rauschenberg. Considered a collagist of life, and always thinking outside the box his assemblage of objects and images form a densely pact pictorial representations. His aggressive sculpture made from found objects evoke an intense experience for the on-lookers, whilst the pieces in this body of work are made using a technically challenging dye-transfer methods evokes ghostly effects.

23 Oct – 16 Jan
Pace Gallery. For more information check out: www.pacegallery.com

5. Things Around the House by Claes Oldenburg & Coosje van Bruggen
ny305Image 5A leading figure in Pop Culture, Claes Oldenburg, is re-known for his ‘soft’ sculptures that are blown-up to show ordinary objects in extraordinary scale-hamburgers, sinks, eggbeaters. The 100 pieces on display are composed from kapok-stuffed vinyl, and were part of the artist’s home, which he shared with his partner Coosje van Bruggen. Embracing ‘the poetry of everywhere’ the exhibition provides the unique insight of the interior design of the artist in a well-orchestrated body of work that breathes out vitality and tactile lyricism.

7 Nov – 12 Dec
Paula Cooper Gallery, Chelsea. For more information check out: www.paulacoopergallery.com

Weekly Instagram Competition artcube x MINIMALISM

A R T C U B E went minimal for this week’s Instagram competition. Stripping down to the bare essentials in a reduction process to exclude the unnecessary. We saw that less is more with structured outlines, architectural sophistication and our love for monochromatic photography. We are grateful for all your participation and shared love of the crisp and clean, as we reveal our Top Ten submissions for #artcubexminimalism.

1. @minimalzine
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2. @minimal_people
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3. @tenshadesofblue
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4. @beejewel1
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5. @mttmg
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6. @theminimalmag
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7. @freed_varin
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8. @sijeveuxlondon
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9. @rosevthompson
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10. @luciferi_fineart
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LONDON

1. Gilbert & George THE BANNERS
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‘DECRIMINALISE SEX’, ‘BAN RELIGION, ‘GOD SAVE THE QUEEN’ or ‘FUCK THE TEACHERS’’, are some of the writings on the banners that defy conformism in this rebellious exhibition by Gilbert and George. Mounted on linen and hung up, the banners explore urban text to create an immediate reaction from the viewer. By disrupting modern convention through visualizing atheistic, libertarian, monarchist and existential context these banners are begging for a reaction. Thought provoking it is a protest against a conservative system- welcome to the revolution.

25 Nov – 24 Jan
White Cube, Bermondsey.
For more information check out: www.whitecube.com

2. Ragnar Kjartansson The Visitors
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The cinematic tableau of Ragnar Kjartansson is spread across nine HD screens at The Vinyl Factory Space. The multi-channel A/V work was filmed in two rooms of the 200-year-old Rokeby villa on the Hudson River of New York, drawing performances from collaborators and friends. Kjartansson calls the musical composition as a ’feminine nihilistic gospel song’ where ‘reality merges with fiction, history with rumors, and everyday life with dreams.’ If you think that might be a bit biased coming from the artist then take the words of the Guardian describing the screenings as ‘spell-binding.’

11 Nov – 6 Dec
The Vinyl Factory Space at Brewer Street Car Park, London.
For more information check out: www.thevinylfactory.com

3. Bloomberg New Contemporaries 2015
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The leading UK organization supporting emerging artists presents a selective viewing of work from the best artists (37 to be exact) that carefully speculate various themes of gender, labor, value and consumption. Alongside the exhibition would be talks and live events on various subjects. Don’t miss out to view the rise of the new contemporaries.

25 Nov – 24 Jan
Institute of Contemporary Art
For more information check out: www.ica.org.uk

4. Simon Denny Products for Organizing
234IMAGE 4
Contemporary tech installations using print, graphics, moving images and text you certainly would not be bored roaming through Simon Denny’s work. Rooted in themes that scrutinize technology’s role in shaping global culture this vast exhibition is a futuristic exploration for the tech-lovers. The hackers culture is explored by various vitrines set up by the gallery narrating the organizational history of hacking, allowing the audience to walk through a digital journey.

25 Nov – 14 Feb
Serpentine Sackler Gallery.
For more information check out: www.serpentinegalleries.org

5. Christine Sun Kim Rustle Tustle
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Have you ever wondered what sounds looks like? Artist Christine Sun Kim, who was born deaf, explores materiality in sound connecting drawings, paintings and performance to her personal visual language. Graphic and musical notation, body language and American Sign Language (ASL) all combined in an investigative format for their communicative ability, resulting in Kim’s own grammar and structure for her compositions. Through her ‘’ownership of sound’ she would make you see that which is constantly present, yet invisible to us.

27 Nov-30 Jan
Carroll/Fletcher.
For more information check out: www.carrollfletcher.com

NEW YORK

1. Diemut Strebe Free Radicals Sugababe and Other Works

Diemut Strebe Sugababe (detail), 2014 Living chondrocytes grown in ear chamber, plasma acrylic container, pump system, microphone, pedestal, and speakers Ear chamber: 5 x 4 3/4 x 2 3/4 inches Reservoir: 3 1/8 x 10 x 10 inches Pedestal: 58 x 15 x 15 inches Courtesy of Ronald Feldman Fine Arts, New York

Diemut Strebe
Sugababe (detail), 2014
Living chondrocytes grown in ear chamber, plasma acrylic container, pump system, microphone, pedestal, and speakers
Ear chamber: 5 x 4 3/4 x 2 3/4 inches
Reservoir: 3 1/8 x 10 x 10 inches
Pedestal: 58 x 15 x 15 inches
Courtesy of Ronald Feldman Fine Arts, New York

Diemute Srebe’s work is a crossover between art and science, and there is nothing boring with his end results. Sugababe provides a replica of Vincent van Gogh’s ear, with living cells generically modified from a male Van Gogh descendant. Speak to van Gogh through a microphone system, programmed to generate nerve impulses from the sound signal in real time. This exhibition is well worth crossing over the dark side of the nerds for this mind –blowing installation.

7 Nov – 5 Dec
Ronald Feldman Fine Arts.
For more information check out: www.feldmangallery.com

2. Annina Roescheisen What Are You Fishing For?
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A new series of work embodying an emotionally charged cinematic recording and photography, Annina Roescheisen’s work reminds us of Shakespeare’s fallen Ophelia. The film comes across as melancholic and has a tangible coldness, through the long pauses of stills and instrumental sounds the artist has incorporated in the piece. The holistic approach Roescheisen has taken provides an emotional depth, growth and essentially liberation with the person viewing it.

4 Nov – 1 Dec
Elliott Levenglick Gallery.
For more information check out: www.elliottlevenglick.com

3. Rachel Whiteread Looking In
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For a glimpse of domestic architecture and humanity’s impact through inhabiting such spaces come the sculptures and works on paper by Rachel Whiteread entitled Looking In. Casting an object’s space that is invisible-a space beneath a chair, darkness under a bed and so forth- the exhibition is a compelling insight of a ghostly rendition. The pieces, yielded from resin, plaster, rubber and concrete cast a memory delivering a new look of viewing the space surrounding these objects in a tangible medium.

7 Nov -19 Dec
Luhring Augustine Gallery, Chelsea.
For more information check out: www.luhringaugustine.com

4. Joseph Kosuth Agnosia, an Illuminated Ontology
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Internationally acclaimed installation artist Joseph Kosuth is on view at Sean Kelly Gallery, chronicling five decades of neon work in an exploration of language and meaning in art. His interpretaion on neon as ‘public writing’ provides a playful and profound perception for appropriating literature, philosophy and psychology. The exhibition will activate areas never before used in the gallery’s space. The artist’s iconic work will have you reading your Freud and Wittgenstein in the most creative context.

7 Nov – 19 Dec
Sean Kelly Gallery.
For more information check out: www.skny.com

5. Christopher Chiappa Livestrong
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In what seems to be a twisted version of Dr. Seuss book or an aftermath for most of us trying to make brunch on a Sunday, this exhibition is all about the eggs. The obsession with the subject has pushed Chiappa to make 7,000 fried eggs-over a year- made in plaster. The metaphoric rendering which calls for a whimsical, silly and complicated interpretation makes the simplistic object turn into an infestation, us it spreads across the surface of the entire gallery. Egg-cellent!

14th Nov-9th Jan
Kate Werble Gallery.
For more information check out: www.katewerblegallery.com

Weekly Instagram Competition artcube x FASHION

With A R T C U B E’s personal ‘style-week’ coming to a close we’re ready to show you what we’ve got in our cubic store. Here are our Top Ten submissions of textural, photographic and anything that inspired you for our #artcubexfashion competition. To quote one of the most acclaimed fashion idols on-screen, Carrie Bradshow: ’I like to see my money right where I can see it: in my closet’. And we couldn’t help but add our own little spin; seeing our fashion where we can see it…up on our Instagram. Stay tuned for another competition to be featured on our blog this Monday!

1. mario_sorrenti_2
1

2. nick_knight
2

3. unskilledworker
3

4. jillkellett
4

5. missnuma
5

6. keinmagazine
6

7. meetcreativepeople
7

8. smashthemag
8

9. theartanlady
9

10. paris_sessions
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Must Sees: November 16 – 22

LONDON

1. Genieve Figgis
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‘Conversation pieces’ capturing British leisurely activities have never looked so luscious as with Genieve Figgis paintings of these fashionable get-togethers. The Irish artist plays an ode to 18th century ladies and gents by placing the figures in lavish parlors in black-tie attire- in paintings such as Royal Group (as seen above). This exhibition holds the tea party where formalwear never looked so interesting before and which banal tablecloths is MIA.

21 Nov – 19 Dec Almine Rech.
For more information check out: www.alminerech.com

2. TinTin: Hergé’s Masterpiece
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The wonderfully eccentric world of Tintin, a young reporter, as drawn by the late great illustrator Hergé is presented in this small and perfect exhibition at Somerset House. Mapping through a chronological timeline from Hergé’s early years of a daydreaming schoolboy drawing in the margins of his notebook to the genre-defining graphic work of his books. The exhibition reveals the man behind the masterpiece and laid out as if entering the a comic book strip.

12 Nov – 31 Jan Somerset House.
For more information check out: www.somersethouse.org.uk
3. Jamie Hewlett: The Suggestionists
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From Gorillaz to Saatchi: Jamie Hewlett, co-founder of the virtual band Gorillaz, now presents his first ever art exhibition. The work encapsulates three shows from a mischievous lens of witty images under the title The Suggestionists. The collages incorporate an array of images from Grindhouse-type film posters, Jodorowsky-inspired Tarotica and Russ Meyer to intricate line drawings of trees observed in the South of France. Step into the psych of Jamie Hewlett and try not to go bananas in this psychogeographic journey.

18 Nov – 2 Dec Saatchi Gallery.
For more information check out: www.saatchigallery.com
4. Art and Alcohol

Balls: The Evening Before the Morning After - Drinking Sculpture 1972 Gilbert & George born 1943, born 1942 Purchased 1972 http://www.tate.org.uk/art/work/T01701

Balls: The Evening Before the Morning After – Drinking Sculpture 1972 Gilbert & George born 1943, born 1942 Purchased 1972 http://www.tate.org.uk/art/work/T01701

From the time gin consisted a better drinking option than water in Britain, the display examines the role of alcohol in British art from the 19th century to modern day. The art of drinking is charted through a contrast of works between Gilbert and George’s Drinking Sculpture and George Cruikshank’s Worship of Bacchus. Never have drinking habits been so captivating.

16 Nov – Autumn 2016 Tate Britain.
For more information check out: www.tate.org.uk

5. Clem Crosby: My, my shivers
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Loose line drawings on laminate and aluminum, Clem Crosby piles on layering with the arduous process of redacting and adding. The paintings create a friction between the different colors clashing atop of each other, with the surprise of flashy pigmentation underlying beneath the heavy brushstrokes. Depth is built from the intertwining patches given by the paints sensual characteristics. Crosby infuses baroque art and abstract expressionism-indicating these pieces are anything but simple line drawings.

20 Nov – 9 Jan
Pippy Houldsworth Gallery. For more information check out: www.houldsworth.co.uk
NEW YORK

1. Mark Manders
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Mark Mander’s narrative sculptures build on the contradiction of the pieces residing in a space that feels foreign but still familiar, in his solo presentation with Tanya Bonakdar Gallery. Mander’s erases the present, and reimagines rooms of a timeless reality in a sur-real parallel with his large scaled sculptures. The self-portrait as an architectural object is one where you can re-enact scenes of inception in this dreamlike oasis as you see the work in awe.

29 Oct – 19 Dec Tanya Bonakdar Gallery.
For more information check out: www.tanyabonakdargallery.com

2. Robert Mapplethorpe: Unique
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The legendary American photographer, Robert Mapplethorpe offers a rare glimpse into his life from carefully selected Polaroids, taken between 1970 and 1975. Unique, is an exhibition that reveals the inspiration behind Mapplethorpe’s later work through this illuminating spontaneity and creative curiosity- with self-portraits, lovers, still lifes and figure studies. Don’t miss out on this exclusive behind-the-scenes unveiling.

7 Nov – 19 Dec Sean Kelly Gallery.
For more information check out: www.skny.com

3. Donald Judd

Judd 009

Judd 009

Judd’s sculptural practice, defining Minimalism, examines shape, color, volume and surface within an entity of itself; complying for the pieces to act as self-referential. The work is made of Cor-ten steel, a material made by the artist himself in the last five years of his life and aimed to elucidate the preoccupations of his oeuvre. To say Judd’s work is simply made of steel is woefully insufficient.

7 Nov – 19 Dec David Zwirner Gallery.
For more information check out: www.davidzwirner.com

4. Jean Tinguely
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Scraps of salvaged iron and wheels collected from junkyards, Jean Tinguely manages to create a hoarders own paradise. Abstract shapes, and found objects all assist in the creation of a new function from the by-products of consumption. The dynamic sculptures also have old motors installed to produce unpredictable motion of inconsistent behavior. Often the works entertain or irritate the viewer, so stop wondering which group you fall into and find out for yourself.

6 Nov – 19 Dec Gladstone Gallery.
For more information check out: www.gladstonegallery.com
5. Jim Lambie
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A psychedelic approach of trippy patterns, appropriated objects and a train shaped smoked machine this exhibition has many highs. The Glasgow-based artist, inspired by The Clash’s song ‘Train in Vain,’ re-invents the top chart in his own body of work laying forth an entrancing selection. Stimulating your vision with vibrant colors and stripy floors, prepare to enter in a world of bliss.

7 Nov – 19 Dec Anton Kern Gallery.
For more information check out: www.antonkerngallery.com

Weekly Instagram Competition: artcube x food

TGIF(ood) with A R T C U B E wrapping up another Instagram competition. We feasted our eyes on your submissions and we may try to resist asking if we could have seconds. From vegans, to vegetarians, to just plain comfort food we mixed it up and are handing it over to you for our Top Ten Instagram posts. Since we all learnt from a young age not to play with our food, we decided to turn it into art. Bon appetit!

1: @onpixel
01onpixel

2 : @p.ee.p
02p_ee_p

3 : @jssowl
03jssowl

4 : @nvallenari
04nvallenari

5 : @beejewel1
05beejewel1

6 : @lostateminor
06lostateminor

7 : @ppenylane
07ppenylane

8 : @tchapoutian
08tchapoutian

9 : @sai_suki_101
09sai_suki_101

10: @hop3fully_
10hop3fully_

Must Sees: November 9 – 15

LONDON

1) Kate Lyddon
kate lyddon
All things absurd and grotesque is what Kate Lyddon brings to her solo show at Zabludowicz Collection, so do not be afraid to let your dark-side out as she reveals the “messy” side of life. Working across drawing, painting and collage, Lyddon for this exhibition has created a new series of works. All stemming from the motif of trees. So watch as twisting roots and dead stumps morph into human forms before your very eyes.

12 Nov – 20 Dec. Zabludowicz Collection.
For more information check out: www.zabludowiczcollection.com

2) Susan Hiller
susan hiller
The widely influential artist, Susan Hiller, is coming to Lisson Gallery – her first time showing in London since 2011. Questioning our belief in belief systems and the meanings in meanings, Hiller probes the unseen and the unheard to create art that evokes a sort of ghostliness. Her art has repeatedly been ground-breaking in its diversity of materials so our expectations are high.

13 Nov – 9 Jan. Lisson Gallery.
For more information check out: www.lissongallery.com

3) Taylor Wessing Photographic Portrait Prize 2015
taylor wessing
The prestigious photographic portrait award returns to celebrate and promote the most talented and exciting contemporary portrait photographers from across the globe. From over 2,200 entries, the selected images explore both new and traditional approaches to portrait photography whilst capturing a whole myriad of characters, moods and locations.

12 Nov – 21 Feb. National Portrait Gallery.
For more information check out: www.npg.org.uk

4) Alexander Calder: Performing Sculpture

Mobile c.1932 Alexander Calder 1898-1976 Lent from a private collection 1992 http://www.tate.org.uk/art/work/L01686

Mobile c.1932 Alexander Calder 1898-1976 Lent from a private collection 1992 http://www.tate.org.uk/art/work/L01686

A retrospective of the man who pioneered the kinetic sculpture and brought art into the fourth dimension gets his first major UK show for over 50 years at Tate Modern. The show brings together some real greats, including Joan Miró and Fernand Leger for this event celebrating the avant-garde. Marcel Duchamp coined the term ‘mobile’ to describe Calder’s motorised works, which apparently kept Einstein transfixed and will just as likely entertain the children. The breeze generated by the inevitable crowds will keep his sculptures twirling and thus keep the crowd staring.

11 Nov – 3 April. Tate Modern.
For more information check out: www.tate.org.uk

5) Mut Mut
mut mut
New space and exciting work by young artists, Mut Mut is the coming together of contemporary illustrators to diversify the world of illustration, including work by Anna Lomax, Nous Vous and Laura Carlin. It is a playful expression to prove illustration can be visualised not just in screen or in print, but as a tangible, physical object. Undoubtedly, this is uncharted territory for contemporary illustration, and we anticipate venturing into the unknown.

11 Nov – 12 Dec. Assembly Point.
For more information check out: www.assemblypoint.xyz

New York

1) Performa 15
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Care to find out about your visual arts event this November? Performa is one to put on your plates! It is the sixth edition for this academic investigation into the visual arts. Initially launched in 2005 the visual performance biennial encapsulates historic anchors in which the artists can integrate into their acts. This year focuses on Renaissance, with its sumptuous visual culture and its pageantry.

1st Nov-22Nov Various Locations.
For more information check out: http://15.performa-arts.org

2) Francis Bacon: Late Paintings
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Bacon’s peak of artistic maturity was reached during the last 20 years of his life. The Gagosian Gallery has on display these one of a kind pieces, where visceral brushwork, coupled with spray paint coincide in the paintings dark undertones. An exceptional viewing from one of the leading figures in the art scene.

10Nov-12Dec Gagosian Gallery, Lenox Hill.
For more information check out: http://www.gagosian.com

3) Louise Fishman
3.louise fishman
Louise Fishman’s paintings are ones that must have been having a worse day than you. With their surfaces brushed, scraped, layered and smeared the canvases are hit with an intense energy. This renewal of energy and its tangibility through its surface is what Fishman is trying to capture. So stop zen-ing around cause this exhibition needs your presence.

22Oct-21Nov Cheim and Read Gallery.
For more information check out: http://www.cheimread.com/exhibitions/current

4) Hilary Harnischfeger
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Harnischfeger’s exhibition over at the Rachel Uffer Gallery presents materials in raw and overworked form of clay, plaster, paper, ink and minerals all along ceramic surfaces. An exhibition not quite like others, the materials are researching within the confounds of the human body and landscape, whilst contradicting themselves-as they try to physically balance themselves.

1Nov-20Dec Rachel Uffner Gallery.
For more information check out: www.racheluffnergallery.com

5) Jim Shaw: The End is Here
5
One of the United States’ most influential artists, Jim Shaw draws inspiration from comic books, record covers, conspiracy magazines and iconography of religious status. His didactic approach in his selection of work will intrigue you in his formal structure and large scale. Let Shaw lead the way into your comic book enlightenment.

7Oct-10Jan The New Museum.
For more information check out: www.newmuseum.org

Friday’s Favorites: artcube x DIGITALAGE

We are back (to the future) with another ARTCUBE competition-as we challenged you this week to see the rise of the planet of digital age. It is obvious that art is taking a ride down on Photoshop lane nowadays and has successfully produced work that is arguably as good-if not better – as the original methods used in art. Art caught in an in-between stage of real and virtual, it is a parallel that produces an intriguing body of work. In any case, we are excited to reveal to all of you our Top Ten favorites who have GIFen in their submissions in this tech savvy revolution.

1. @rosadesalvo
1rosadesalvo

2. @dashaloyko
2dashaloyko

3. @beejewel1
3beejewel1

4. @taxcollection
4taxcollection

5. @cyansunset
5cyansunset

6. @simultan
6_simultan_

7. @itsdayton
7itsdayton

8. @witchoria
8witchoria

9. @matthewcuster
9matthewcuster

10. @rikoostenbroek
10rikoostenbroek

“The art scene changes. Society changes. Everything changes”

0400On a recent trip to New York, ARTCUBE had the pleasure to tour the studio of young artist Andrew Zientek. Recently showcasing artwork to be sold at the charity auction event MTV RE:DEFINE, he is someone to pay attention to. Andrew is also trained as a landscape architect and you can certainly see the influence in his art, as his practise investigates the perception of human consciousness in an environment. With his work still on our minds, we sat down for a chat to further come to grips with his concepts and creative process – and also discover what he thinks the art world needs right now.

AC: What concepts or themes are eminent in your practise?

AZ: Research and self-education. This is not so much the theme of the work, but more so the theme of the approach. Most of the work is focused on ideas of the subtle, ideas of displacement in contemporary culture, and experiments with the physical and perceptual relationship between person and local environment.
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AC: We find the piece ‘Untitled / I enjoy your false narrative’ particularly intriguing; it possesses a transparency and scientific feel that is visually immersive. We wonder if you could tell us a little bit more about the significance of these pieces and the process of creating them.

AZ: This particular piece is one of my favourites from the recent body of work. It started with a fascination with a colour wheel produced by Michel Eugène Chevreul who was a French chemist in the 1800’s. His representation was one of the first widely accepted color wheels and adopted by artists. I’ve never seen the original work, only a jpeg from the internet. I am equally drawn to this displacement and distance from the original as I am to the quality of the original.
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This is the first work in a new series of “underpaintings” where the actual content, in this case an abstracted pattern of dots produced from Chevreul’s color wheel, is then over painted with thick daubs of white oil paint on a white mirror. The color is completely hidden from direct view, but is reflected back into the white mirror to create a kind of color haze in the thickness of the glass. I think this is the world we live in right now, first order perception via degrees of separation, and alteration.

AC: Could you tell us about what you are working on now?

AZ: Two things – one is a large scale installation or pavilion work with very long glass rods that I’ve been experimenting with in the studio and am currently looking for a venue to realize it in. The other is the next “underpainting” piece, which is based on a Crucifixion painting by Rogier van der Weyden from 1460. Weyden’s work was the entry point for my curiosity into the practice of underpainting and this particular painting is an amazing work from a color field perspective. Its almost like a Josef Alber’s painting turned into representational religious iconography. The painting depicts a truly gruesome event, but in this beautiful, antiseptic way which speaks to my interest in contemporary displacement.

0404 04050403
AC: What response do you want from your viewer/audience?

AZ: Curiosity and awareness. I think everything meaningful stems from the simple act of being aware. As I’ve gotten older I’ve let go of other provocative or utopian desires, but curiosity and awareness grow more and more important to me and I hope to share them.

AC: What is the best advice you have been given as an artist?

AZ: Be true to yourself. Otherwise ‘they’ can smell it. But if I’m being honest, it is advice that I’m only very recently starting to truly embrace.

AC: In your opinion, what is missing from the art scene today?

AZ: I’ve never liked this type of thinking. The art scene changes. Society changes. Everything changes. Artists, I think, have always been both a mirror of current culture and a lens to possible futures. I don’t think that is any different today.

You can see more of Andrew’s work on his website www.andrewzientek.com
and go follow him on Instagram @andrewzientek

Inside millionaire’s stately home filled with bizarre works of art

Daily Mail

It was home to a noble family for centuries who would have once had a Downton Abbey-style team of servants, but today a country pile in Oxfordshire has a rather different more eccentric owner.

Aynhoe Park, near Banbury and the Cotswolds, is now owned by self-made multi-millionaire James Perkins who has decorated the large property using his eclectic taste, treating the classical-looking rooms as though they’re an avant garde art gallery.

He gave Eamonn Holmes and Ruth Langsford a tour of the grand house for their new Channel 5 show Eamonn and Ruth: How the Other Half Lives.

The grand ballroom in Aynhoe Park is filled with James Perkins works of art and taxidermy including a polar bear in flying goggles and a rocking horse zebra worth £24,400

James gives presenters Eamonn Holmes and Ruth Langsford a tour of his stately home which he has filled with his art collection. The unicorn is listed on sale as 'price on application' while the feathered lamps on the right are £3,300 each

The old mixes with the new with disco balls hanging over Grecian and Roman style statues in the centuries-old home 

The 39-room Palladian mansion, which dates back to 1615 and was rebuilt in 1707 by Thomas Archer with a 400 acre garden planned by Capability Brown, is now filled with items including a rocking horse zebra worth £26,400, a polar bear wearing flying glasses (a similar one is worth £24,000) and a priceless giant unicorn.

Disco balls hang from the ceilings while there are innovatively designed metallic chairs-come-sculptures and £3,300 ostrich feather lamps on display.

Modern mixes with the classical, as many of the originally features of the house have been retained, and the rooms are filled with traditional furniture like four poster beds and free standing bath tubs as well as contemporary-designed chairs and tables.

Forty-something James, originally from Cheltenham, is part of the new breed of stately home owners who have been able to afford to buy such opulent properties outright, rather than inherit them from a long line of ancestors.

A front view of the house designed by architect Thomas Archer in 1707 with grounds designed by Capability Brown

The 39-room property as seen from the rear was bought by James in 2006 and he restored it to its former glory

One of the living rooms in the house which combined modern designs with classic decor

James lives in the property with his family but rents it out on certain weekends for £20,000

The rooms are filled with stuffed rare and exotic animals including beavers, lions and antelopes in the house's capacious library

The house is full of an eccentric mix of mounted animal heads and innovatively designed modern furniture

Taxidermy is throughout the house and available to buy, such as this lion with a crown and flying swan

James made his fortune in the music industry and now spends his money on his vast art collection

One of the bedrooms with a palladian style style four posted bed - decorated with 21th century Doctor Who ornaments

After starting out in the dance events business, James was a millionaire by the time he was 24, founding the rave brand Fantazia and then starting a record label Fantazia Music in the Nineties.

He wisely invested in property as the rave scene declined and through investments and restorations, he was eventually able to afford his dream of buying a country pile.

As a result, James believes he is better equipped to restore it to its former glory than some who are entrusted with such a home as a birth right.

‘The problem they have is they have not willing taken it on but feel obligated to. I have chosen to take this on to live out my fantasy and live in it like people would have done in the past,’ he revealed to Eamonn and Ruth.

Speaking of his mix of bold and traditional decor, he said: ‘It might not have been what you were expecting but it dates back to 1790 and I have added my own twist on it.

‘When I first moved in there was lots of twee old ladies furniture in here, a bit second hand, and people asked me how on Earth I would fill this place.’

He has managed to fill every room with what his website describes as ‘a living museum of art and curiosities, filled with pieces both priceless and playful, all acquired by James Perkins, over the course of his travels.’

The website states of the decor: ‘A touch of wonderland pervades the other worldly interiors, which have long been well-kept secret of the sartorial set.

James tells Eamonn and Ruth who it was always his dream to own country pile and he has made it his own inside

One of the more modern-designed bedrooms in the house which is available for weddings

The library with a striking lion skin rug on the floor. The house has 'long been well-kept secret of the sartorial set'

A drawing room with more traditional furniture and a grand doll's house

Fossils, skulls and taxidermy on display adds to the 'other worldly feel of the interior

James collects plaster pieces and also sells them on to make money to maintain his lavish home

‘Much of the house’s character comes from its one-of-a-kind collection of art and taxidermy, inspired by a combination of appreciation for classical artwork and sculpture, a love of innovative design and a very British sort of eccentricity.’

James bought the house in 2006 and it is now thought to be worth £15 to 20 million. The home had originally been in the Cartwright Family for centuries and when they could no longer afford to maintain it, it then became a retirement home for landed gentry in the Fifties.

It was then owned by the Country Houses Association but after they were dissolved in 2004, it fell into decline so James set about restoring and renovating after he purchased it.

He now lives there with his family, but even for a multi-millionaire like himself, it costs him too much to maintain to allow it just to be their home.

‘Light bulbs can be an issue,’ he admits – the house needs 1,100 of them.

While they don’t open it to the public, they do hire it out for 60 days of the year. The entire house can be hired for a whole weekend for a wedding or private party at a cost of £20,000.

Celebrities who have tied the knot there include Take That’s Howard Donald and Mick Jagger’s daughter, Jade.

A grandly decorated bedroom with wooden carved bed and giant lamp - one of the 1,100 lightbulbs in the property

Furniture here doubles as a sculpture reflecting Jame's eclectic taste 

The grand staircase is where James displays much of his plaster collection 

One of the bathrooms with a free-standing bath and wooden shutters over the windows

Another view of one of the bedrooms containing a free standing bath and modern furniture

They also make money through selling works of art and innovative furniture in their collection via their website. For example, a stuffed polar bear is currently on sale for £24,000, a antique taxidermy giraffe bust is £6,800 and a plaster Aynhoe unicorn is £420.

Works of art from the James Perkins Studio on sale include bronzed elk horns and a Golden Rhino bust for £14,400 and £25,200 respectively.

Even though he made his millions running a company associated with raves in the Eighties and Nineties, he said he won’t allow such raucous parties at Aynhoe – and anyone who wants to hire it for the weekend is closely vetted.

A headless statue dominates the hallway of the baroque staircase - a feature of the 18th century design

A elephant had hangs at the top of the stairs, similar ones cost thousands of pounds

A patriotic bedroom with union flags and antlers on the walls. The property belonged to the Cartwright for centuries

After visiting James at his home, presenters Eamonn and Ruth then meet Jacqueline Townsend, from the agency Exclusive Household Staff, who reveals just how much it would cost to staff a house like Aynhoe today, quoting the expected annual salary of each ‘servant’.

She said: ‘You would need to spend £100,000 for a private chef and would need to house them, you’d need a head housekeeper for £60,000, a head gardener and under gardener for £50,000 altogether, and a chauffeur for between £40 to £50,000. A ladies’ maid and valet would be £40,000 each.’

Added up, she said for someone to replicate the lavish lifestyles of landed gentry in the Victorian and Edwardian eras, it would cost £900,000 per year in staff.

Jacqueline revealed that many people now in service today earn a fortune working abroad where they are hired by Russian oligarchs, oil magnates and A List celebrities.

An English butler working abroad can earn £300,000 a year, while a crew member on super yacht can earn £3,000 a week.

‘Is this the most ostentatious interior ever? Inside millionaire’s stately home filled with bizarre works of art – including a £24,000 polar bear and a £26,000 rocking zebra’
Daily Mail | November 3, 2015 |  LUCY WATERLOW
http://www.dailymail.co.uk

Must Sees: November 2 – 10

LONDON

1. Rudolf Stingel
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Rudolf Stingel, for his fifth exhibition at Sadie Coles HQ, is showcasing a whole new body of work – whilst launching the gallery’s new space at 1 Davies Street, Mayfair. Far from a survey of standard, yawn-inducing wildlife images, Stingel’s subject matter marks a particular historical and geographical importance. So dig a little deeper behind the guise of banality and subtle monochrome to uncover the images real nostalgia.

4 Nov-18 Dec. Sadie Coles HQ, Davies Street and Kingly Street.
For more information check out: www.sadiecoles.com

2. Petra McCarthy Resurgam
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Petra McCarthy is making her debut to London at the Rebacca Hossack gallery, Charlotte Street. What may look like bacteria under microscopic view are the expressionistic, abstract paintings by McCarthy flattened by sheets of Perspex. Her gestural brushworks become a swirling cosmos of colours that we want to get lost in.

3 Nov-28 Nov. Rebecca Hossack, Charlotte Street.
For more information check out: www.rebeccahossack.com

3. Jerwood/ Photoworks Awards 2015
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Coming to Jerwood Space, a celebration of upcoming photographic practitioners; a group exhibition of three selected artists, Matthew Finn, Joanna Piotrowska and Tereza Zelenkova. Each artist uses photography to explore a myriad of themes and for the exhibition, received an award of £5,000 to develop projects that could have remained a fantasy without Jerwood/ Photoworks support.

4 Nov-13 Dec. Jerwood Space.
For more information check out: www.jerwoodvisualarts.org

4. New Chinese Art
0204Quite a topical exhibition given the China-UK Year of Cultural Exchange, the New Chinese Art show at Saatchi gallery is set to be one of the highlights of the festival. Presenting three leading Chinese artists: Shen Qibin, Jin Feng and Guan Ce, see the work some of China’s most exciting contemporary artists in Europe for the first time.

6 Nov-8 Nov. Saatchi Gallery.
For more information check out: www.saatchigallery.com

5. The Line
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Walk The Line – no we are not talking about the Johnny Cash song – but the contemporary art walk. Stroll along the Thames, see a sculpture by Antony Gormley, or head north to Cody Dock and spy a Damien Hirst. If you can brace the cold, it is an exciting prospect to experience contemporary art legends out and about against the urban grit of grey London town.

Until 31 Dec. Various locations around London.
For more information check out: www.the-line.org

NEW YORK
1. Frank Stella: A Retrospective
0206
As Frank Stella candidly stated for his work, ‘what you see is what you see’. Nothing could’ve been more direct as the artist’s statement concerning his Pop Art abstraction paintings that provide a punch in the expressionistic style they take. The methodical course of the body of work made by Stella is one whose progression is eminent throughout his career. The exhibition provides an open dialogue of objects, mixed and matched, from altering periods of Stella’s long spanning career as a dominant figure in the art world.

30 Oct-7 Feb 2016. Whitney Museum of American Art, Meatpacking District.
For more information check out: http://whitney.org

2. Kaws: Along The Way
0207It’s like a Thanksgiving miracle with Kaw’s giant sculptures devouring the Brooklyn Museum lobby. Former street artist, whose accomplishments include designing re-known balloons that overlook the entire of New York at Macy’s Thanksgiving Parade, and designing the set of MTV’s Music Awards, Kaw’s work certainly is anything but unnoticed. The 18-foot tall sculpture depicting a skull impression of Mickey Mouse is a sight for sore eyes. Drop the Mic(key) and head down for this overwhelming experience.

10 June-6 Dec. Brooklyn Museum, Prospect Park.
For more information check out: www.brooklynmuseum.org

3. Anthea Hamilton: Lichen! Libido! Chastity!
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Making a name for herself at Luxembourg and Dayang Gallery, with her interpretation of a chair forming a pair of woman’s legs spread out-who wouldn’t want to see what other obscenities Hamilton has come up with this time? The hall and courtyard are decked out with ceramic eating utensils, glass rice cakes cigarettes from PVC-pipes and many more pieces on sight. The combination of various decades worth of fetishes will captivate you, with the 70’s being the epitome of the show. Who said sex and consumer obsessions are dead?

20 Sep-Jan 4. Sculpture Center, Long Island City.
For more information check out: www.sculpture-center.org

4. Asia Contemporary Art Week 2015
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Coming back for it’s 10th edition, the Asia Contemporary Art Week will be packed with performances, screenings and festivities that will have you booked full for the whole week. The show consists of over 40 New York and Asia based art institutions and 150 artists – with highlight performances by Lee Mingwei’s Sonic Blossom at The Metropolitan Museum of Art and Field Meeting’s Take 3: Thinking Performances. So plan out because there’s a lot to see!

28 Oct-8 Nov. Various locations.
For more information check out: www.acaw.info

5. Alina Szapoczikow
0210A Polish sculptor and survivor of the dark days in Auschwitz, Bergen Belsen and Theresiendstadt her work provides the remnants of her experiences. Alina Szapoczikow translates World War II through sculptures exploring violence and dark eroticism, drawing aspects from Surrealism, Pop Art and Post-minimalism. These freestanding figurative sculptures from the 60’s and 70’s would send chills down your spine

31 Oct-5 Dec. Andrea Rosen Gallery, Chelsea.
For more information check out: http://www.andrearosengallery.com

TOP 10 INSTAGRAM POSTS FOR ARTCUBE x INTERRUPTED

You know it’s almost thriller night and we were out lurking. We crawled around for the best Instagram posts on this Hallow’s eve and you got us hooked with what we found. These are our Top Ten Instagram posts that made us turn in our graves and our hearts skip a beat. ARTCUBE x Interrupted couldn’t have been more creeped without your participation and thank you for playing trick or treat with us.

1: @gilda_grazia_it

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2: @alicialisabrown

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3: @lindseyoshields
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4: @albe927
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5: @blackandwhiteisworththefight
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6: @mycrossingofuniverse
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7: @meetcreativepeople
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8: @artwellguide
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9: @the_hassassin
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10: @artxdesign
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Must Sees: October 26 – November 1

London

1: Museums at Night
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Museums may make you think of stuffy exhibitions and school trips, but forget about normal opening hours at this year’s annual event– Museums at Night. Go behind-the-scenes and after-hours to experience some of the capital’s biggest attractions as you have never before. What a coincidence, it lands on Halloween weekend, so do expect to be slightly terrified.

30 Oct-31 Oct. Various locations around London.
For more information check out www.museumsatnight.org.uk

2: On Stage/ Off Stage: Performance and the Theatrical

Fishing on a Jetty 2000 Rodney Graham born 1949 Purchased with funds provided by the Mary Joy Thomson Bequest 2005 http://www.tate.org.uk/art/work/P79177

Fishing on a Jetty 2000 Rodney Graham born 1949 Purchased with funds provided by the Mary Joy Thomson Bequest 2005 http://www.tate.org.uk/art/work/P79177

Join artists, curators, theatre directors and writers for a discussion at the Tate Modern exploring the relationship between art and theatre. Questioning, what is the difference between the stage and the gallery? How does live art blur the boundaries between art and theatre? To what extent can the artist be considered an actor or director? Head to the Starr Auditorium to learn more.

31 Oct, 14:00pm – 16:00pm. Starr Auditorium, Tate Modern.
Part of the series BMW: Tate Live 2015: Staging Situations: Art and Theatre.
For more information check out: www.tate.org.uk

3: Gravity
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Coinciding with the hundredth anniversary of Albert Einstein’s theory of relativity, the Kinetica Museum in partnership with the Paris Centre for Cosmological Physics presents a four-day festival about the ways art and science overlap. At the Hospital Club, seventeen kinetic and electronic artists are showcased to make up an exhibition of ‘out of this world’ proportions.

30 Oct-1 Nov. The Hospital Club, Convent Garden.
For more information check out: www.thehospitalclub.com

4: Chantal Akerman: Now
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In time with the UK premiere of Akerman’s new film, ‘No Home Movie’, this large-scale exhibition celebrates her prowess as an emotive filmmaker and artist. Including seven works, ‘Now’ an eight channel video installation originally commissioned for this year’s Venice Biennale, is the show’s centrepiece and explores notions of violence and conflict.

30 Oct-6 Dec. Ambika P3.
For more information check out: www.p3exhibitions.com

5: SLAM Fridays
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On the last Friday of every month, SLAM Fridays focuses on a different area of South London, with galleries staying open until late and artist-led tours to guide gallery-goers between venues. Although, do keep your eye out for the printed South London Art Map, in case you fancy visiting one of the 90 spaces at any other times of the week.

30 Oct, 18:00pm – 20:00pm. Various locations around London.
For more information check out: www.southlondonmap.com
New York

1: The Roof Garden Commission: Pierre Huyghe
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Experience the natural world in an unnatural environment through the manifestations and brilliance of French artist Pierre Huyghe. A transformation of the Met’s rooftop into an enigmatic and unsettling tableaux in a video, sculpture and landscape installation, with archaeological excavations as the thematic overview, the installation bridges culture and nature. Huyghe’s Roof Garden might just be an unexpected find that you should look into, so dig in.

12 May- 1 Nov. The Metropolitan Museum of Art, Central Park.
For more information check out: www.metmuseum.org

2: Segmented Realities: Jose Parla
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If you feel like experiencing art outside of museums and galleries this might just be the break you need just down the road. MePa’s Standard Hotel is hosting Parla’s public art in the outdoors plaza . These large painted sculptures, with underlining vibes of Havana and Caribbean cities will reverberate seeds of ancient ruins into street art. How would such a combination look? Find out.

Until November 30. The Standard, High Line, Meatpacking District.
For more information check out: www.standarhotels.com

3: Queen of The Night
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For an absurdly deluxe experience of New York’s nightlife, we are reassured the city of lights has it all. Dinner and a (circus) show in a grand part setting? Please, dive in-the acrobats sure would take the leap if you don’t. In the gorgeously refashioned Diamond Horseshoe Nightclub, the show is directed by Tony-winning designer Christine Jones, Katherine Crockett as the ball’s hostess, and Steve Cuiffo as the magician. Sit back and enjoy your drinks under the lights of glamorous magic.

Until Dec 31. Diamond Horseshow at the Paramount Hotel, Midtown West.
For more information check out: queenofthenightnyc.com

4: The Village Halloween Parade in NYC
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What would Halloween be without the basics? With the largest walking procession in the streets of NYC welcomes the night of the walking dead with open arms. A compilation of over 50 000 zombies, giant puppets and of course the man of the hour, Donal Trump would take these streets by storm. Dress up in your best Halloween costume, work on your make-up skills (or just be horrible at it-it might be better this time) and get in line for the walk of your life. March on.

October 31, from 7PM-11PM. Sixth Avenue from Spring St to 16th St, Manhattan.
For more information check out: www.halloween-nyc.com

5: The Gymschool, St Peterburg: Rineke Dijkstra
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Rineke Dijkstra studies of adolescents and the forging of their identities behind these individuals delicate time, is demonstrated through the photography of young Russian gymnasts in St. Petersburg. The work goes far beyond capturing these young kids on face value, as Dijkstra depicts a metaphorical connection between the physical and emotional state of the action in motion.

Oct 26-Dec 19. Marian Goodman Gallery, Midtown West.
For more information check out: www.mariangoodman.com

You Got a Little Something On Your Face

2501Art & Geometry

Every artist experiences the dreadful ‘artist block’, but Lee Griggs seems to have no grasp of such ridiculous notion, in his on-going series Deformations. When we wanted to talk about geometry, we couldn’t have imagined such a literal approach – his subjects look like they have swallowed it whole and forgot to spit out the bones. A cross between a cartoon character taking the shape of whatever it has eaten, or a Nightmare On Elm Street, comes this bewitching and intriguing digitally 3D scanned series.
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Grigg’s distorted utopia, where aliens are birthed, makes you scrutinize these freakish beings whilst peering through their disturbingly life-like masks. Each face as gruesome as the next one, we discover that we have somehow dug ourselves into a hole – searching for more as we scroll down in anticipation to squint and squirm in our seats. Hopefully not coming across a Paul McCarthy scene reenacted with these creatures.
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Grigg’s 3D scanned faces are downloaded from the production house Ten24 and rendered in a program called Arnold. What makes these creations more unsettling is their resemblance to human-faces, rather than resorting to colour or pigment permutation. The artist admittedly constructs these alien-human visages without even himself knowing the end product, simply experimenting with the original scan. His goal for the project is to create complex images with detailed deformations. The artist is fascinated with ‘blurring’ the lines between the real and surreal, and as a result has us ‘blocked’ in what he will come up with next.
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The anthropomorphic faces will fascinate, horrify and make someone point out to you to ‘stop staring’. We sure couldn’t, so we’ll let it pass this time and resist pointing.
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The Titanic ‘Empty Lot’ Drew Us In Like One Of Leo’s French Girls

2401If you enter Tate Modern from ground level, you would certainly be forgiven for thinking the installation was under construction – where are the work-men? The idea of ‘under construction’ perfectly epitomises Abraham Cruzvillegas’ new commission piece Empty Lot, for the expansive and eminent Turbine Hall.
This is a show of two halves, what begins with eager anticipation ends with frustration.

Getting closer and closer, rearing up above you like the prow of a huge ship, the triangular deck slices through the space. We instantaneously remember the opening sequence of ‘Titanic’ where the vessel imposingly looms over the crowd. The awe builds with each step; Cruzvillegas’ titan of a structure perches upon a matrix of scaffolding, with its perimeters lit up by illuminated masts.

The mezzanine level, however, delivers a very different perspective. The deck is really more of a garden allotment – a geometric field of potted soil. The scene is striking, absorbing but extremely irritating. You want to walk along the artist’s floating floor and get down and dirty with the earth, but that is simply not possible. Instead, you must squint out the wealth of details and if you don’t have perfect vision, we wish you good luck.

The desire to botanise is strong. The soil comes from 36 sites all across London, from Peckham Rye to Buckingham Palace, yet nothing has been planted. This is a garden not in bloom. In a city of withering wilderness, where land is being gobbled up for oil and property development, Empty Lot is a blatant alarm against an endangered Eden.

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The optical pattern is visually appealing, but the promise of the experience is greater than the actual one. Cruzvillegas describes the piece as a “scaffolding of ideas”, it will continue to grow over time (literally) and Empty Lot has the potential to instigate some sort of social change. Although, the installation is fatally flawed because of the lack of humanity, all we want is to get even closer –is that too much to ask?

13th October – 3rd April 2016.
For more information check out www.tate.org.uk

Weekly Instagram Competition artcube x geometric

This week ARTCUBE is loving GEOMETRICS. So, we are looking for your top Instagram posts, either of your own work or your favourite artist that explores geometry. For a chance to be featured on our blog, use the hashtag #artcubexgeometric

TOP 10 INSTAGRAM POSTS
FOR ARTCUBE x GEOMETRY

Just like The Cure’s, Friday I’m in Love, here are our Top 10 Instagram posts that captured our mutual infatuation for all things geometric and cube-shaped. Fellow ARTCUBErs, thank you to all whom submitted and took part in our Art and Geometry competition. Look out for next week’s Top 10 Instagram posts, because we warn you now, expect to be creeped out -with Halloween just around the corner.

1: @fsgroup
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2: @dhavebaj
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3: @_Vaslov_Roman_
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4: @andriyx
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5: @eddierobertssculpture
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6: @mayacph
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7: @katyanngilmore
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8: @micramafi
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9: @timiarugenbrink
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10: @riin_kaljurand
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Get The Bug Out Insects On The Art Of Geometry

2101Hold your wallpaper rolls down, cause it will bug you if you didn’t hear it is from us first, before you make your next decor decision. What is Jennifer Angus’s motif? Patterns on walls constructed with a myriad of insects, which might be the next interior design hack, as installed in the Renwick Gallery in Washington DC on November 13th. Skull heads made out of insects? A badass move on her part that we would not mind further exploring.
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The installation piece, ‘The Midnight Garden’ features 5000 insects, weevils and small beetles all gathered ecologically, using sustainable methods by Angus herself. The hands on artist, a former textile designer, wanted to create a print that was inherently repetitive in itself. The insects displayed on a hot pink wall are not altered in colour; they interweave with each other to create a cohesive print. The iridescent colours of the bugs on the walls mimic a starry night. The intertwining of this unconventional choice of pattern-making creates an immersive impact. Resulting in the insects’ existence morphing from their initial gross-view into beautiful wall ornamentation. The same insects are used each time for every exhibition, as they are delicately boxed away for their next ‘performance’.
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The meticulous project intrinsically catches your eye from afar, with the purpose of highlighting the mortality of the insects that corresponds to the mortality of human kind. Stroll around this exhibition to take inspiration and take notes on your next DIY venture in your back garden.
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The New York Times Reinvented By Shanti Grumbine

2001We are definitely looking awry at Looking Awry by artist Shanti Grumbine, in the vain hope of unravelling the wizardry behind her images. The acclaimed newspaper, the New York Times, is her material of choice; manipulating and mutilating the pages, she creates intricate collages that turn your daily (dull) read into dizzying scenes.

Grumbine must have the patience of a saint. Scalpel in-hand and an exact eye, her process is extremely laborious and repetitious, but generates such a visually complex effect. For the series Looking Awry, she divides up enlarged prints of front-page covers, mounts these sections onto wood and reassembles the original image into wall reliefs of undulating depths.
2002
The result is an assortment of colours and shapes that look like pixels on-screen, or fragments of a windowpane or waves rising and falling out at sea. Through squinted eyes, you can almost tell the initial image – remnants of a woman’s face or a human body. However, step back, and the picture is lost again to the distortion.

Grumbine is master of carving new meanings into a material with a pre-existing meaning. What we find particularly exciting about her work is that lost in translation idea – she is championing vagueness, evoking emotion rather than the communication of information. She is like an alchemist, transforming everyday media into transcendental portals. So despite, the ghost of former purpose, you can literally see anything you desire inside her creations.

2003

www.shantigrumbine.com

Must Sees: October 19 – 25

London

1: Mademoiselle Privé
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First Alexandra McQueen, then Louis Vuitton and now CHANEL. It seems there is a fashion invasion happening in London, and this is another not to miss. Mademoiselle Privé takes over the Saatchi Gallery, presenting an enchanted journey through the brand’s origins, capturing the charismatic personality and irreverent spirit of Mademoiselle Chanel and Karl Lagerfeld.

13 Oct-1 Nov, Saatchi Gallery.
For more information check out: www.saatchigallery.com/current/mademoiselle_prive

2: Affordable Art Fair
1901
Making art accessible to everyone, Affordable Art Fair returns to Battersea. Exhibiting both new talents and household names, priced between £100 to £5,000. This fair opens up the contemporary art market for those looking to start their own collection.

22 Oct-25 Oct, Battersea Evolution, Battersea Park.
For more information check out: www.affordableartfair.com

3: Jon Rafman at Zabludowicz Collection
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Ever fancied sitting in a ball pit or inside a cupboard and watching a film? Jon Rafman makes those wishes come true for his commission exhibition at Zabludowicz Collection. He has transformed the space in a playful series of installations and sculptural works to immerse the viewer into his videos. This is a show to leave your inhibitions and exhibition etiquette at the door – so just enjoy.

8 Oct-20 Dec, Zabludowicz Collection.
For more information check out: www.zabludowiczcollection.com/

4: States of Mind: Ann Veronica Janssens
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‘yellowbluepink’ is the new installation by Ann Veronica Janssens at The Wellcome Collection, which explores the experience of human consciousness in a space – a space that is full of thick pink mist. The piece challenges how we perceive things, when you can’t really see anything.

20 Oct-3 Jan, The Wellcome Collection, Bloomsbury.
For more information check out: www.wellcomecollection.org

5: Parallax Art Fair
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Over 200 artists from all over the world come to Parallax Art Fair to display their work. Cutting out the middle-man, you can buy directly from the artist and with prices starting from £200, this is the art fair for young collectors.

24 Oct-25 Oct, Chelsea Old Town Hall, Chelsea.
For more information check out: www.parallaxaf.co
New York
1: Mark Grotjahn: Painted Sculpture
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Portraits on canvas may seem outdated for the contemporary art scene, but not when they are by Mark Grotjahn. Funky takes on facial features with expressionist characteristics, Grotjahn constructs sculptural collages, using boxes and tubes to recreate a sense of primitive art.

20 Oct- 29 Oct, Anton Kern Gallery, Chelsea.
For more information check out: www.antonkerngallery.com

2: Gianni Piacentino
1906

A distinctive founder of Art Povera in the mid 60’s, Gianni Piacentino’s elegant weirdness will seduce you. His reductive sculpture produces an electric beauty, as he turns line drawings into three dimensional forms. Italian Futurism is upon us in this exhibition.

20 Oct-31 Oct, Michael Werner, Lenox Hill.
For more information check out: www.michaelwerner.com

3: Eduardo Paolozzi: Horizon of Expectations
1907
A ‘graduate’ from the Pop Art movement and advocate of the Independent Group in the late 1940’s, Paolozzi’s work is oxymoronic. Behind the vibrancy of the screens prints, his work is inspired by the history of post industrial society, Brutalism and machine aesthetics.

21 Oct- 1 Nov, CLEARING, Williamsburg.
For more information check out: www.c-l-e-a-r-i-n-g.com

4: Frida Kahlo: ‘Art, Garden, Life’
1908

In this exhibition, you are invited to get an unique insight into Frida Kahlo’s life. Tour the ornate garden she kept outside her studio, to experience the scenery that later inspired the paintings.

16 May- 1 Nov, New York Botanical Garden.
For more information check out: www.nybg.org

5: Okwui Okpakwasili: Bronx Gothic
1909
A thematic performance of youth, terror and eroticism by the theatre muse Okwui Okpakwasili. This innovative, autobiographical performance is a compilation of poetic storytelling and dance. Okpkwasili uses her body and personal experiences to enchant you in this must-see performance.

21 Oct-24 Oct. New York Live Arts, Chelsea.
For more information check out: www.newyorklivearts.org

The Risk-Takers and Rubbish-Makers at SUNDAY Art Fair

Before anything else, we should clarify SUNDAY Art Fair is not only on Sunday. Gallery-led, booth-free, SUNDAY returns for its 6th edition, located just a stone’s throw from the blue-chip Frieze fair in the warehouse building Ambika P3.

An easy-going and accessible temporary platform, the fair has gained reputation of exposing raw and pure talent. A showcase of young galleries and emerging artists on the cusps of something bigger; it was like a breath of fresh air in an art world full of must-be-seen crazed clones. SUNDAY has successfully set itself up as the hipper, edgier counterpart to the Frieze art supermarket.

The layout lends SUNDAY a casual democratic sense of openness, as opposed to the usual system of squeezing as many booths into one space at a time. Although, it can be tricky to distinguish when one gallery stand starts and another ends – the effect is visually stimulating and liberating.

What we came across was a lot of rubbish – actual rubbish or ‘found objects’. However, we do not mean the work’s actual effect was far from dissatisfactory. When Duchamp presented the urinal, it was a revolt against all the art rules, and these are the artists that are risking it all to reinvent the parameters of what is and what isn’t art, whilst having some fun with it. Here’s our list of those we think you should keep an eye on:

1:James Samuel Lewis at Gallerie Joseph Tang
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2: Guilia Cenci at SpazioA
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3: Jimmy Merris at Seventeen Gallery
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4: Lea Cetera at Southard Reid
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5: Aude Pariset at Barbara Seiler Gallery
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Lose your minds for The Asylum at Frieze Masters

1601Check yourself into The Asylum if you feel like your week at Frieze London is getting too crazy to handle. Even the best West End productions would be envious of the theatrical setup of the Helly Nahmad Nahmad booth at Frieze Masters – no doubt, one of the most talked-about sights across both Frieze fairs.
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Let the light opera music queue as the re-enactment unveils three interiors that pay homage and replicate 1940s sanatoriums and asylums. Production designer, Robin Brown has skillfully fashioned these spaces to mimic the original sources of inspiration artist Jean Dubuffet used for his works– that are also on display. An ideal counterpoint, connecting, echoing and heightening the art.

Staring upon the mental wasteland of people’s lives, we see walls scrawled with drawings and writings, a mass of intertwined textures in a plethora of colours and the abandoned belongings of imagined patients. The first room is a doctor’s office, with notes and stethoscopes, followed by a small and simple patient’s room whose writings are etched across the walls, then the final space is the largest filled with tables and chairs all covered in scribbles.
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Fixated by the intricate details on the walls, you transcend into a contemporary scene of ‘One Flew over the Cuckoo’s Nest’. Helly Nahmad Gallery and Robin Brown have managed to provide an insight to a world that is real, but feels foreign, where we can easily lose our minds.

The Time Is 1:54

1501If you have ever wondered what you would take with you in your ‘after-life’, then step into the Coffin at 1:54 Contemporary African Art Fair. ARTCUBE was brave enough to experience, along with our art market expert Magnus Resch, the multiple art pieces on display. From blown up coffin’s marked with the notorious label of Pepsi and that 90s kid’s Nokia phone to President Obama’s portrait pimped-out, we are glad to say that this exhibition has it all.

The third edition of this diverse exhibition, held at Somerset House, presents artists from the fifty-four countries that constitute Africa. The platform established in this show tributes the ethos of art, bringing together the multifaceted stages of contemporary production. The exhibition is set up by the RA projects, an architectural award winning studio, confidently demonstrating the works in an orchestral layout that is easy to follow.

A colorful take on Western consumerism, merged into collages, paintings and whatever other kitsch material we used to love. The fair highlights the multiplicity of cultural production, and reinvents our cultural existence. Here are some of the pieces that resonated with us from granny’s trippy doilies to Obama’s dazzling smile (literally).

1: Untitled Tete by Aboudia featuring Magnus Resch
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2: Fresh and Fading Memories, Part V by El Anatsui
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3: Coffins by Paa Joe and Tetteh-Ashong
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4: No Man’s Land by Jems Robert Koko Bi
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5: Banana Sculpture, no17 by Jebila Okwongwu
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6: Ku’ngang Mask by Herve Youmbi
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7: DP2 by Zak Ove
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8: I Have a Drone (Obama’s Portrait) by Hassan Musa
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9: The Irony of Power by Yassine Khaled
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10: Passage-Oriental Series by Zahrin Kahlo
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